passive discrete summing mixer littleone 16x2 trs intrs out

Passive Discrete Summing Mixer LittleOne 16X2 TRS in/TRS out

LittleOne 16 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info: GOOGLE IT VINTAGEMAKER INPUT: 16 balanced INPUT (1,4" TRS) 8xstereo (8L and 8R) OUTPUT: 1xStereo OUTPUT - 2x(1,4"; TRS) Balanced L/R 2xStereo CH to mono = 4 mono input by switch (for mono instruments like bass, kick, snare, etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Available front colours: Black/White and Anthracite Grey Mica Why choose LittleOne mixer? Requires only +15 dB of make-up gain! other mixers requires +dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs ! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Passive Summing Mixer LittleOne 16x2 DB25 DSUB input / TRS

LittleOne 16 input ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info google it: vintagemaker In: 16 balanced INPUT by 2xDB25/DSUB Tascam Standard Analog Out: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 2 STEREO CH TO 4 MONO CH INPUT SWITCH OPTION! Extra feature: 2xStereo to mono = 4 mono by switch Pure hand made!Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. The Stereo to Mono switches mono mode (ON) allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc., or to use normal(OFF) mode:as stereo inputs L/R (pan from DAW) ono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Passive Discrete Summing Mixer LittleOne 8x2 DB25 input/ TRS

LittleOne 8 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! google it: vintagemaker Input: 8 balanced INPUT by DB25/DSUB Tascam Standard Analog Output: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 1xStereo CH to 2 mono input by switch (for mono instruments like kick, bass,etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2 may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Passive Discrete Summing Mixer input designed for

Custom built summing mixer designed for Your studio - direct from VintageMaker! Google it: Vintage Maker Summing Mixer Please note! Price depend of Your desired setup options! Production / Build time: 5-10* busines days *depending on the size of the project You can customize (roughly): Summing network Insertion resistance Sum network designed for Your Studio micpre or DAW amp work range! (let me know about Your gear type to hit best for Your needs) Desktop Box: See LittleOne photos *Can build in to 1U /2U rack if need Desktop LittleOne box: From balanced input! 1U Rack up to 32 input both TRS and DB25 DSUB balanced input Input type as: TRS or DSUB balanced Output type as: TRS or XLR Stereo to mono input feature to desired chanels Master Send/Return by switch for external gears Master Stereo to mono option for mix compatibility test purposes Unique NAME laser engraving and so on... More than happy customers since Google it: Vintage Maker Summing Mixer Why choose LittleOne mixer? Requires only +15 dB /+20dB or +25dB (depending of Your DAW amp or Micpreamp type) of make-up gain! other mixers requires +dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs ! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)!

Passive Discrete Summing Mixes Monitor Controller Switcher

Please visit my order page! Active and Passive summing mixers for unique order! Production / Build time: 5 working days Feel free to ask!

Neve summing mixer

Hand-built and hand-wired at the Neve factory in Burnley, England, the Neve  allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides 16 input channels with +15dB gain, level, pan, cut/solo and cue controls. Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect. With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the to be saved to a PC or Mac and recalled ready for remix. The uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique 'Stereo Width' control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned. For those requiring digital output, the ’s analog-to-digital conversion option (*Not included) supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A/D conversion units costing as much or more than the entire mixer. If sixteen inputs aren’t enough for your mix, multiple units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the Fader Pack, which provides 18 long-throw faders for hands-on control. Neve Features * Hand-built, hand-wired 16-channel summing mixer for use in professional computer-based studios * Classic Neve analogue transformer mix bus topology * Instant Recall of settings stored on PC or Mac via USB * 16 input channels plus aux additional inputs * Cue, Level, Pan, Solo and Mute controls * Mix Insert points * Various solo and solo in place functions * Sum and difference insert with exclusive 'Stereo Width Control' * Separate Monitor and Cue levels * Main and Alt speaker outs * Onboard talkback mic w/talkback input to Cue * Units can be cascaded for multiple output * 2U rackmount design with special shielded power supply * 2 track return, plus iPod input * Headphone outs on front and back  * Optional digital output card; 44.1kHz to 192kHz, plus DSD Neve Specifications Performance: * Frequency Response: Channel 1 line input to main output (20Hz to 20kHz) +/-0.5dB Better than -3dB @ 60Hz * Distortion:  20k Ohms (balanced +4dBu) * Input level maximum: >+26dBu (balanced) Line Output: * Line Output Impedance:  +26dBu into 600 Ohms (balanced), >+14dBu into 600 Ohms Dimensions: * Width: 482mm (19 inches) * Height: 88mm (3 inches) (2U) * Depth: 390mm (15.4 inches) * Weight: 7kg (5.5 pounds) Options: * External Fader Pack: Neve fader pack allows channel and main audio levels to be controlled by faders. This also introduces an AUX output to the unit * Digital Output: Analogue to digital card, capable of sample rates up to 192kHz can be fitted into the internally Ad ID: Delivery Service Consumer Credit

WHARFEDALE PRO EZ M 16x2 ULTRA COMPACT MINI MIXER

Hi for sale WHARFEDALE PRO EZ-M 16X2 ULTRA COMPACT MINI MIXER CONSOLE. Mixer in very good condition. Ad ID: Delivery Service Consumer Credit

AMS Neve Channel Summing Mixer

AMS Neve Channel Summing Mixer Hand-built and hand-wired at the Neve factory in Burnley, England, the Neve  allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides 16 input channels with +15dB gain, level, pan, cut/solo and cue controls. Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect. With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the to be saved to a PC or Mac and recalled ready for remix. The uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique 'Stereo Width' control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned. For those requiring digital output, the ’s analog-to-digital conversion option (*Not included) supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A/D conversion units costing as much or more than the entire mixer. If sixteen inputs aren’t enough for your mix, multiple units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the Fader Pack, which provides 18 long-throw faders for hands-on control. Neve Features * Hand-built, hand-wired 16-channel summing mixer for use in professional computer-based studios * Classic Neve analogue transformer mix bus topology * Instant Recall of settings stored on PC or Mac via USB * 16 input channels plus aux additional inputs * Cue, Level, Pan, Solo and Mute controls * Mix Insert points * Various solo and solo in place functions * Sum and difference insert with exclusive 'Stereo Width Control' * Separate Monitor and Cue levels * Main and Alt speaker outs * Onboard talkback mic w/talkback input to Cue * Units can be cascaded for multiple output * 2U rackmount design with special shielded power supply * 2 track return, plus iPod input * Headphone outs on front and back  * Optional digital output card; 44.1kHz to 192kHz, plus DSD Neve Specifications Performance: * Frequency Response: Channel 1 line input to main output (20Hz to 20kHz) +/-0.5dB Better than -3dB @ 60Hz * Distortion:  20k Ohms (balanced +4dBu) * Input level maximum: >+26dBu (balanced) Line Output: * Line Output Impedance:  +26dBu into 600 Ohms (balanced), >+14dBu into 600 Ohms Dimensions: * Width: 482mm (19 inches) * Height: 88mm (3 inches) (2U) * Depth: 390mm (15.4 inches) * Weight: 7kg (5.5 pounds) Options: * External Fader Pack: Neve fader pack allows channel and main audio levels to be controlled by faders. This also introduces an AUX output to the unit * Digital Output: Analogue to digital card, capable of sample rates up to 192kHz can be fitted into the internally Ad ID: Delivery Service Consumer Credit

Custom Summing Mixer for Your studio! From -

Custom built summing mixer designed for Your studio - direct from VintageMaker! Google it: Vintage Maker Summing Mixer Please note! Price depend of Your desired setup options! Production / Build time: * busines days *depending on the size of the project You can customize (roughly): Rack Unit size: 1U / 2U or 3U From in - even up to 96 balanced input! From 1xStereo L/R balanced out, even up to 4xStereo output Input and output type as: XLR /TRS or DSUB balanced. Stereo to mono input feature to desired chanels Master Send/Return by switch for external gears Multiple Master Send/Return for more then one external processor Master Stereo to mono option for mix compatibility test purposes Master Output ON/OFF control by switch Unique laser engraving and so on... More than happy customers since Google it: Vintage Maker Summing Mixer

carlsbro passive mixer

carlsbro em 12 unpowered passive monitor really nice condition 12 inch driver not much usage in past contact paul on moreton wirral area, sorry emails or phone calls only please. Ad ID: Delivery Services Consumer Credit

15" Passive KAM DJ/Band PA System Speakers/Mixer // TRADES

Hi all, These are my passive (I believe 300w) KAM speakers and are in fully working order. Great condition but could probably do with a bit of a clean! As you can see in the photos one of the SpeakOn connectors is broken on one of the speakers but this is not needed anyway. Open to swaps for something a little smaller (maybe a pair of 12" passives) and can add a bit of cash if needed, otherwise, £100 cash takes them. Will also throw in a free Behringer mixer that I do not have a power supply for but have been led to believe it works. Based in Nuneaton CV10 and WILL NOT POST. Cheers. Read More

NEW 3M Van Damme DB25 to TRS Y-Cable DSUB to 8 TRS Pro Inser

NEW 3m Van Damme DB25 to TRS Y-Cable Price includes Delivery for the UK only. We are Verified by Paypal, so the buyer is covered by Paypal Proection. Delivery will be sent with Insurance and Package will be secure. If you have any questions, please email. If delivery will cost more to your location/country, we will let the buyer know before hand and the difference will need to be paid, so please ask for a quote before buying to make sure. The cable is designed to be used as an Insert Cable but with DB25 on each end instead of a TRS jack Can be used for Mixer Inserts (or any other place on the Mixer), Audio Interface's or Patchbays To use as a BD25 Y-Cable for your mixers Inserts, just connect the BD25 labled "Tip" (the send) to your Audio Interfaces Input and the "Ring" (the return) to your Audio Interfaces Output, then just insert the TRS ends into the desired Insert Inputs on your Mixer, now you can send audio from your mixer, to your computer, then back into your mixing desk again, all on the same channel RRP For a 3m BD25 to TRS Van Damme Cable: £90+ (with no hybrid option) DB25 Fully wired to TASCAM Standard and will work with any Audio Interface that uses this standard, including Avid / Digidesign Send on the TIP Return on thr RING 1 cable will work for 8 of your Channel Inserts and will send 8 independant signals to & from your DAW / Computer, Mixer or Patchbay Van Damme Cable Details Professional High Quality leads are made using die cast steel 25 pin D Sub connectors going to 8 balanced Neutrik TRS Jacks Van Damme Blue Series Multicore Fully wired to the Tascam Standard Used by professionals the world over, including some big names such as Abbey Rd and the BBC Cables are braid at each of the tails with a black Pliosil sleeve and apply a thick glue-lined heatshrink at the split of the cable to enhance the durability Pair specifications Conductor Material Bare ultra pure oxygen free copper wire Stranding 28 x mm2) AWG Insulation Material Polypropylene Average thickness 0.22mm Diameter 1.00mm ±0.10 Colour coding IEC appendix Screen Type 24μm Aluminium/polyester foil >150% coverage Drain wire 19 x mm2) AWG Jacket Material PVC composite Sapphire blue RAL Average thickness 0.34mm Overall diameter 2.70mm ±0.10 Electrical characteristics Resistance Conductor Ohm/Km

Monster Y TRS Splitter 19" Cable Stereo 1 Female and 2 Male 1/4" TRS Mono

Product Description: Monster-quality audio splitter. This 19 inch Y-Adapter splits audio from a single 1/4" female stereo cable to two 1/4" male mono cables. A signal chain is only as strong as its weakest link. Monster's Y-Adapters maximize signal and minimize noise for the best possible performance from your equipment. Monster CableLinks adapters allow musicians, DJs, home theater builders, video enthusiasts, audiophiles and studio engineers to hook up their gear with the confidence that they're getting maximum performance and maximum durability. Features: Custom-molded super heavy-duty barrel Exclusive Monster Rugged Construction Monster Cable P500 instrument cable technology with molded strain relief 24K gold-plated contact connectors Ad ID: Delivery Service Consumer Credit

Crest Audio X-Rack XRM - 10U Rack Mounted Mixer - Monitor Mixer (20 in/12 out)

For sale in excellent condition is this rather rare (and incredibly useful) Crest Audio X-Rack. Designed as an easy and cost effective way to create many individual monitor mixes; with loads of Ins and Outs I'm sure you can use your imagination as to how you could utilise such a mixer. The built in splitter (see rear photo) is a superb feature in this unit. I can also supply a PDF of the owner's manual. I bought it from a London theatre company and it has had light use in my studio - I'm off touring and no longer have use for it. Would be perfect for live bands, technicians, producers, studios and rehearsal rooms. £600, open to offers. Features: - Optimized for "In Ear" monitor systems, capable of generating up to 6 stereo mixes (each input channel with individual level and pan controls) or up to 12 mono mixes. May be used as a stereo or mono monitor mixer or a combination of both, or a matrix mixer or for front-of-house applications. - 12 Mono inputs Plus 4 Stereo mic/line inputs (20 total), all with mic pre amps and individual (per channel) 48 Volt Phantom Power Switches. - Built in splitter system on all 20 XLR mic/line inputs with ground lift switches on each input channel. - Additional common stereo inputs on XLR and 1/4" connectors for use with click or Reference track sends to artists. - Four-band mid sweep EQ on mono and stereo input channels. - 18dB per octave high pass filter on mono input channels. - 12 fully balanced XLR outputs and XLR balanced bus inputs. - 10 Space Rack mount configuration. Ad ID:

Club 3D nVidia GeForce GT Passive 512MB DDR2 DVI/TV Out PCI-E

Performance GPU: NVIDIA G GPU speed: 540 MHz Shaders: 32 Unified Memory Size: 512 MB Memory Type: GDDR2 Memory Speed: MHz Memory Bandwidth: 128 BIT Multi VGA Ready: 1 DirectX: 10 OpenGL: 2 Configuration CRT: 1 DVI dual link: 1 TV-out HDTV 720p/i HDTV / /720p/p HDCP Cooling: Passive PCB size: Full size Format: PCI-E x16 Prefer initial contact via text or email as i work nights and phone is on silent 80% of the time. Open to sensible offers Cash on collection Ad ID: Delivery Service Consumer Credit

Mackie 808M 8-Ch. Mono Powered Mixer w/Effects + HK Audio 15 inch PA passive speakers x2

Mackie 808M 8-Ch. Mono Powered Mixer w/Effects Full featured 8-channel / watt powered mixer with onboard EMAC 32-bit digital effects processor Two 600-watt FR Series High-Current power amps Power amps switchable as mono Mains or Mains + Monitor 8 mic/line channels with master phantom power Two stereo line inputs (on channels 7 and 8) HK Audio 15 inch PA passive speakers x2 Used but still sound amazing - some signs of exterior wear but still in good working order. Ad ID: Delivery Service Consumer Credit

C2G 25ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable

C2G 25ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable - Phono Male - Phono Male - 25ft - Black

Kitchen mixer pull out tap.

Pull out kitchen mixer taps with all fittings. New, still boxed. No longer needed. Read more

API 24 Channel Summing

Hi I am selling an api summing mixer. 2 x API with direct out 1 x API a With power supply/ribbon cables. Fully working great condition. Collection from Stratford, East London Ad ID: Delivery Services Consumer Credit

Mixer tap with pull out hose

Excellent as new mixer tap with pull out hose. 30cm tall. Either stainless steel or chrome. Bought but never used. Stored in garage so very dusty box but tap is excellent condition. Read More

1x Behringer Eurolive VPS passive subwoofer 2x Behringer Eurolive VP Passive PA Speaker

1x Behringer Eurolive VPS passive subwoofer 2x Behringer Eurolive VP Passive PA Speaker with 1x Behringer EP Watt Amplifier, 4x high quality speakon cables included with all three speaker and amplifier boxes. Great condition only used for home use and I am only selling due to moving into a smaller place, i also have a QTX 18" sub to boxed everything is in my garage so if you want to see boxes and speakers please contact me for more details no time wasters please as I will have to get the speakers and amp out the garage to take pictures thanks. Ad ID: Delivery Service Consumer Credit

Kitchen mixer tap with pull out spray

Kitchen mixer with pull out spray head. Purchased but not required Comes with all fittings Collection from Matfield TN12 near Paddock Wood or I can post for an extra £6.00 to anywhere in the uk. Ad ID: Delivery Service Consumer Credit

Double sink with mixer pull out tap

Double sink with mixer pull out tap We can deliver for a small fee Ad ID: Delivery Service Consumer Credit

Cooke and Lewis pull out Kitchen mixer tap

Cooke and Lewis pull out kitchen mixer tap. Around 2 years old £80 Ono. Collect Buckingham Read More

Allen & Heath GR05 1U 5-in 4-out rack mount Analogue Zone Mixer

Allen & Heath GR05 Analogue Zone Mixer (AH-GR05) Features: 2 mic inputs 3 stereo inputs 4 XLR outputs Routing Matrix Remote Controllable Ducking Expandable Lock out system Internal power supply Top condition, perfect working order, used for around 3 weeks. Comes with power lead and printed manual. I'm also going to throw in a 1U double RCA in/output panel (will upload pictures of it) Has been in an 8U rack connected to a Numark iDec £500+ new Priced to sell @ £350 No offers! Collection from Perivale UB6 (just off the A40 and on the Central Line) where it can be seen working and tested before purchase. Manufacturer Description: The GR05 is a compact, five-input, four-output, installation mixer, with a simple front panel and a wide range of installer-configurable options. Each input and output has a level control and three-colour LED status indicator on the front panel. For complete 'fit and forget' installations, the level knobs may be removed and blanking plugs fitted so just the status lights and a mute button remain. All inputs can be routed to any combination of outputs direct or via the VCA control. The unit may be used free-standing, or mounted in 1U of rack space. The direct path is not affected by output level controls and ducking. Selection is done by internal jumper links, VCA control is used for output ducking. Ducking depth and release time can be assigned. Muting is possible. There is an opto-isolated input for external trigger and four additional direct / VCA bus inputs are provided on the expander / remote connector. Alarm interface is possible. There is a status indicator on the front panel. Two balanced microphone/line input channels have XLR connectors and gain controls on the rear panel and internal presets and jumpers to set 15V phantom power, mic/line level, swept EQ, high-pass filter, ducking, and routing. Three stereo RCA (phono) line-level inputs have internal jumpers for level matching, routing and ducking presets. Each output has an XLR connector, separate internal ducking control, two-band EQ and level presets. A female D-sub 25-pin 'Expander/remote' connector allows multiple units to be linked for larger systems, a remote VCA and ducking control, and external DC power supply for maintained systems. Inputs: -22 to -58dBu, ohms, microphone; -28 to +8dBu, ohms, with pad selected for line level; -10dBV or +4dBu, ohms, stereo line. Response: 20Hz-50kHz, +0/-1dB. Distortion: %. Noise: -128dB RMS EIN, 150 ohm source, 22Hz-22kHz, microphone; -91dBu, preamp at 0dB gain, line; better than -86dB mix noise (all channels routed). Output: +20dBu maximum, 22k ohms load, balanced. Power consumption: 18VA maximum. Dimensions: 483 x 260 x (w x d x h) mm. Weight: 4kg. Ad ID:

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