new 3m van damme db25 to trs y cable dsub to 8 trs pro inser

NEW 3M Van Damme DB25 to TRS Y-Cable DSUB to 8 TRS Pro Inser

NEW 3m Van Damme DB25 to TRS Y-Cable Price includes Delivery for the UK only. We are Verified by Paypal, so the buyer is covered by Paypal Proection. Delivery will be sent with Insurance and Package will be secure. If you have any questions, please email. If delivery will cost more to your location/country, we will let the buyer know before hand and the difference will need to be paid, so please ask for a quote before buying to make sure. The cable is designed to be used as an Insert Cable but with DB25 on each end instead of a TRS jack Can be used for Mixer Inserts (or any other place on the Mixer), Audio Interface's or Patchbays To use as a BD25 Y-Cable for your mixers Inserts, just connect the BD25 labled "Tip" (the send) to your Audio Interfaces Input and the "Ring" (the return) to your Audio Interfaces Output, then just insert the TRS ends into the desired Insert Inputs on your Mixer, now you can send audio from your mixer, to your computer, then back into your mixing desk again, all on the same channel RRP For a 3m BD25 to TRS Van Damme Cable: £90+ (with no hybrid option) DB25 Fully wired to TASCAM Standard and will work with any Audio Interface that uses this standard, including Avid / Digidesign Send on the TIP Return on thr RING 1 cable will work for 8 of your Channel Inserts and will send 8 independant signals to & from your DAW / Computer, Mixer or Patchbay Van Damme Cable Details Professional High Quality leads are made using die cast steel 25 pin D Sub connectors going to 8 balanced Neutrik TRS Jacks Van Damme Blue Series Multicore Fully wired to the Tascam Standard Used by professionals the world over, including some big names such as Abbey Rd and the BBC Cables are braid at each of the tails with a black Pliosil sleeve and apply a thick glue-lined heatshrink at the split of the cable to enhance the durability Pair specifications Conductor Material Bare ultra pure oxygen free copper wire Stranding 28 x mm2) AWG Insulation Material Polypropylene Average thickness 0.22mm Diameter 1.00mm ±0.10 Colour coding IEC appendix Screen Type 24μm Aluminium/polyester foil >150% coverage Drain wire 19 x mm2) AWG Jacket Material PVC composite Sapphire blue RAL Average thickness 0.34mm Overall diameter 2.70mm ±0.10 Electrical characteristics Resistance Conductor Ohm/Km

Passive Summing Mixer LittleOne 16x2 DB25 DSUB input / TRS

LittleOne 16 input ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info google it: vintagemaker In: 16 balanced INPUT by 2xDB25/DSUB Tascam Standard Analog Out: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 2 STEREO CH TO 4 MONO CH INPUT SWITCH OPTION! Extra feature: 2xStereo to mono = 4 mono by switch Pure hand made!Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. The Stereo to Mono switches mono mode (ON) allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc., or to use normal(OFF) mode:as stereo inputs L/R (pan from DAW) ono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

C2G 25ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable

C2G 25ft Pro-Audio 1/4in TRS Male to 1/4in TRS Male Cable - Phono Male - Phono Male - 25ft - Black

Van damme, Headphone extension lead. Neutrik TRS Jack to Socket, 4m

Van damme, Headphone extension lead. Neutrik TRS Jack to Socket, Hand wired in London, UK. Different lengths available. Ad ID: Delivery Service Consumer Credit

Monster Y TRS Splitter 19" Cable Stereo 1 Female and 2 Male 1/4" TRS Mono

Product Description: Monster-quality audio splitter. This 19 inch Y-Adapter splits audio from a single 1/4" female stereo cable to two 1/4" male mono cables. A signal chain is only as strong as its weakest link. Monster's Y-Adapters maximize signal and minimize noise for the best possible performance from your equipment. Monster CableLinks adapters allow musicians, DJs, home theater builders, video enthusiasts, audiophiles and studio engineers to hook up their gear with the confidence that they're getting maximum performance and maximum durability. Features: Custom-molded super heavy-duty barrel Exclusive Monster Rugged Construction Monster Cable P500 instrument cable technology with molded strain relief 24K gold-plated contact connectors Ad ID: Delivery Service Consumer Credit

Passive Discrete Summing Mixer LittleOne 8x2 DB25 input/ TRS

LittleOne 8 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! google it: vintagemaker Input: 8 balanced INPUT by DB25/DSUB Tascam Standard Analog Output: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 1xStereo CH to 2 mono input by switch (for mono instruments like kick, bass,etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2 may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Passive Discrete Summing Mixer LittleOne 16X2 TRS in/TRS out

LittleOne 16 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info: GOOGLE IT VINTAGEMAKER INPUT: 16 balanced INPUT (1,4" TRS) 8xstereo (8L and 8R) OUTPUT: 1xStereo OUTPUT - 2x(1,4"; TRS) Balanced L/R 2xStereo CH to mono = 4 mono input by switch (for mono instruments like bass, kick, snare, etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Available front colours: Black/White and Anthracite Grey Mica Why choose LittleOne mixer? Requires only +15 dB of make-up gain! other mixers requires +dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs ! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

audio Right angle to straight 1/4 TRS custom premium

Quantity: Change country: -Select- Armenia Australia Belgium Bulgaria Canada Croatia, Republic of Czech Republic Denmark Finland France Hong Kong Hungary Indonesia Ireland Japan Korea, South Latvia Macedonia Malaysia Malta Netherlands New Zealand Norway Poland Portugal Puerto Rico Russian Federation Singapore Slovakia Slovenia Spain Sweden Switzerland Taiwan Thailand Turkey Ukraine United Kingdom Vietnam Virgin Islands (U.S.) There are 50 items available. Please enter a number less than or equal to 50. Select a valid country. Postcode: Please enter a valid postcode. Please enter up to 7 characters for the postcode

Whirlwind ST Stereo 1/4” TRS Cable with

Best Quality! On sale for one week!

8 way loom with a quarter of an TRS balanced jacks BRAND NEW

8 way loom with balanced TRS jacks, brand new... Ad ID: Delivery Service Consumer Credit

8 way loom with a quarter of an TRS balanced jacks BRAND NEW

8 way loom with balanced TRS jacks, brand new... Ad ID: Delivery Services Consumer Credit

Pro HDMI to miniHDMI - 3m corded cable

purchased this to connect tablet to TV - but bought the wrong thing but as opened not able to get shop refund Cost £30 Read more

2.5mm Male Plug to 3.5mm Female Jack Stereo AUX Audio TRS

(Type: 2.5mm Male (Plug) / 3.5mm Female (Jack). 3) Small size, easy to carry;. 2) Stable performance, transmission speed;. Cable Length: 15.5cm / 6.1

BI-DIRECTIONAL DB25 TO C36 PARALLEL PRINTER CABLE LEAD

GOT THIS LAST WEEK COSTING ME £ BUT ORDERED THE WRONG CABLE. 1.8 METER LENGTH CABLE. STILL SEALED IN PACKAGING.

DB25 Male - Flat cable to IDC 10 way connector

DB25 Male - Flat cable to IDC 10 way connector 24cm long Flat cable Ad ID: Delivery Service Consumer Credit

BOYA BY-MP4 Audio Adapter Stereo W/ 3.5mm TRRS/TRS Cable For

1 TRRS Cable. 1 TRS Cable. Gain: Unity. Input: - 1 3.5mm Stereo Mini-jack Input. Phone without 3.5mm audio input port will need a cable adapter to connect this audio adapter. 3.5mm (1/8

ROSSIGNOL ALLTRACK PRO 100 W BK TRS SKI BOOTS

ROSSIGNOL ALLTRACK PRO 100 W BK TRS Size 26, Hike and Ski function Worn for a week - too big for me! Usual scratches on boots but almost like new Very comfy!!! Read more

5Pcs 3.5mm 1/8" Stereo Male Audio TRS Jack Plug Adapter

5 x 3.5mm 1/8

New HDMI TO DVI (24+5) cable 3m

New HDMI TO DVI (24+5) cable 3m Ad ID: Delivery Service Consumer Credit

MENS LRG HI VIZ TRS NEW WATERPROOF

new hi viz, mens large, still in bag, unworn, waterproof over trousers. 3M scotchlite orange. Read more

Ethirteen trs 27.5 mtb wheels, new unused

E*thirteen trs+ 27.5 wheelset. New and unused, taken from my YT Jeffsy cf pro, straight out of the box. Front wheel 15x100 thru axel (non boost). Rear wheel 12x148 (boost spacing). 32 hole wheels with 28mm internal rim width. Ad ID: Delivery Service Consumer Credit

NEW Lib Tech TRS Snowboard 159cm RRP £459

Thanks for looking at the Lib Tech TRS.  An all mountain twist on the ever popular skate banana with C2 camber bringing added stability and edge grip at higher speeds. Available in 159cm in this listing, with other sizes in other listings. RRP £459 OUR PRICE £399 Add a fully padded Dakine snowboard bag for just £40 (RRP £65) The TRS all terrain freestyle rips everything. Sammy wins World Freeride Tour events on it, Eric is filming with Travis Rice on it, and you can check Blair’s Absinthe part. Initially designed with park freestyle in mind this board truly is awesome everywhere you want to take it AWESOME EVERYWHERE TWIN FREESTYLEINTERMEDIATE TO PROSOLYMPIC PIPE MEDAL, SLOPESTYLE CHAMPIONSHIPS, WORLD FREERIDE TOUR GOLD AND A LOT MOREArt by Carl Smith Please note that board colours can change with sizes so please see additional pics for board detailing and size guide.  If you need advice just ask! Thanks for looking, any questions please get in touch.  Shipping is to mainland UK, for other areas such as highlands, Islands and Ireland please get in touch for a quote prior to buying. George Robin Hood Watersports

E13 TRS Dual ring chain guide new in box

e13 TRS Dual chainring guide brand new in box with all fittings save a fortune.

Original Yamaha Tyros 5 TRS-MS05 Speaker system- NEW

in perfect working order for tyros 5. payment on collection only from e8 4hq. pop any to see

Leylandii x8 (8 to 10 feet or 2.5m to 3m)

8 leylandii hedging trees. Height between 8 to 10 feet (2.5m to 3m). Hedge has been trimmed to 20 inches in width (on the narrow side). 5 of the 8 trees have had the tops trimmed at about 7 to 8 feet, but still growing up! Bargain for trees this height. £10 each, or all 8 for £50. Read More

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