passive discrete summing mixer input designed for

Passive Discrete Summing Mixer input designed for

Custom built summing mixer designed for Your studio - direct from VintageMaker! Google it: Vintage Maker Summing Mixer Please note! Price depend of Your desired setup options! Production / Build time: 5-10* busines days *depending on the size of the project You can customize (roughly): Summing network Insertion resistance Sum network designed for Your Studio micpre or DAW amp work range! (let me know about Your gear type to hit best for Your needs) Desktop Box: See LittleOne photos *Can build in to 1U /2U rack if need Desktop LittleOne box: From balanced input! 1U Rack up to 32 input both TRS and DB25 DSUB balanced input Input type as: TRS or DSUB balanced Output type as: TRS or XLR Stereo to mono input feature to desired chanels Master Send/Return by switch for external gears Master Stereo to mono option for mix compatibility test purposes Unique NAME laser engraving and so on... More than happy customers since Google it: Vintage Maker Summing Mixer Why choose LittleOne mixer? Requires only +15 dB /+20dB or +25dB (depending of Your DAW amp or Micpreamp type) of make-up gain! other mixers requires +dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs ! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)!

Passive Discrete Summing Mixer LittleOne 8x2 DB25 input/ TRS

LittleOne 8 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! google it: vintagemaker Input: 8 balanced INPUT by DB25/DSUB Tascam Standard Analog Output: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 1xStereo CH to 2 mono input by switch (for mono instruments like kick, bass,etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2 may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Passive Summing Mixer LittleOne 16x2 DB25 DSUB input / TRS

LittleOne 16 input ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info google it: vintagemaker In: 16 balanced INPUT by 2xDB25/DSUB Tascam Standard Analog Out: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 2 STEREO CH TO 4 MONO CH INPUT SWITCH OPTION! Extra feature: 2xStereo to mono = 4 mono by switch Pure hand made!Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. The Stereo to Mono switches mono mode (ON) allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc., or to use normal(OFF) mode:as stereo inputs L/R (pan from DAW) ono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Passive Discrete Summing Mixer LittleOne 16X2 TRS in/TRS out

LittleOne 16 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info: GOOGLE IT VINTAGEMAKER INPUT: 16 balanced INPUT (1,4" TRS) 8xstereo (8L and 8R) OUTPUT: 1xStereo OUTPUT - 2x(1,4"; TRS) Balanced L/R 2xStereo CH to mono = 4 mono input by switch (for mono instruments like bass, kick, snare, etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Available front colours: Black/White and Anthracite Grey Mica Why choose LittleOne mixer? Requires only +15 dB of make-up gain! other mixers requires +dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs ! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Passive Discrete Summing Mixes Monitor Controller Switcher

Please visit my order page! Active and Passive summing mixers for unique order! Production / Build time: 5 working days Feel free to ask!

Custom Summing Mixer for Your studio! From -

Custom built summing mixer designed for Your studio - direct from VintageMaker! Google it: Vintage Maker Summing Mixer Please note! Price depend of Your desired setup options! Production / Build time: * busines days *depending on the size of the project You can customize (roughly): Rack Unit size: 1U / 2U or 3U From in - even up to 96 balanced input! From 1xStereo L/R balanced out, even up to 4xStereo output Input and output type as: XLR /TRS or DSUB balanced. Stereo to mono input feature to desired chanels Master Send/Return by switch for external gears Multiple Master Send/Return for more then one external processor Master Stereo to mono option for mix compatibility test purposes Master Output ON/OFF control by switch Unique laser engraving and so on... More than happy customers since Google it: Vintage Maker Summing Mixer

Neve summing mixer

Hand-built and hand-wired at the Neve factory in Burnley, England, the Neve  allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides 16 input channels with +15dB gain, level, pan, cut/solo and cue controls. Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect. With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the to be saved to a PC or Mac and recalled ready for remix. The uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique 'Stereo Width' control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned. For those requiring digital output, the ’s analog-to-digital conversion option (*Not included) supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A/D conversion units costing as much or more than the entire mixer. If sixteen inputs aren’t enough for your mix, multiple units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the Fader Pack, which provides 18 long-throw faders for hands-on control. Neve Features * Hand-built, hand-wired 16-channel summing mixer for use in professional computer-based studios * Classic Neve analogue transformer mix bus topology * Instant Recall of settings stored on PC or Mac via USB * 16 input channels plus aux additional inputs * Cue, Level, Pan, Solo and Mute controls * Mix Insert points * Various solo and solo in place functions * Sum and difference insert with exclusive 'Stereo Width Control' * Separate Monitor and Cue levels * Main and Alt speaker outs * Onboard talkback mic w/talkback input to Cue * Units can be cascaded for multiple output * 2U rackmount design with special shielded power supply * 2 track return, plus iPod input * Headphone outs on front and back  * Optional digital output card; 44.1kHz to 192kHz, plus DSD Neve Specifications Performance: * Frequency Response: Channel 1 line input to main output (20Hz to 20kHz) +/-0.5dB Better than -3dB @ 60Hz * Distortion:  20k Ohms (balanced +4dBu) * Input level maximum: >+26dBu (balanced) Line Output: * Line Output Impedance:  +26dBu into 600 Ohms (balanced), >+14dBu into 600 Ohms Dimensions: * Width: 482mm (19 inches) * Height: 88mm (3 inches) (2U) * Depth: 390mm (15.4 inches) * Weight: 7kg (5.5 pounds) Options: * External Fader Pack: Neve fader pack allows channel and main audio levels to be controlled by faders. This also introduces an AUX output to the unit * Digital Output: Analogue to digital card, capable of sample rates up to 192kHz can be fitted into the internally Ad ID: Delivery Service Consumer Credit

AMS Neve Channel Summing Mixer

AMS Neve Channel Summing Mixer Hand-built and hand-wired at the Neve factory in Burnley, England, the Neve  allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides 16 input channels with +15dB gain, level, pan, cut/solo and cue controls. Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect. With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the to be saved to a PC or Mac and recalled ready for remix. The uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique 'Stereo Width' control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned. For those requiring digital output, the ’s analog-to-digital conversion option (*Not included) supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A/D conversion units costing as much or more than the entire mixer. If sixteen inputs aren’t enough for your mix, multiple units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the Fader Pack, which provides 18 long-throw faders for hands-on control. Neve Features * Hand-built, hand-wired 16-channel summing mixer for use in professional computer-based studios * Classic Neve analogue transformer mix bus topology * Instant Recall of settings stored on PC or Mac via USB * 16 input channels plus aux additional inputs * Cue, Level, Pan, Solo and Mute controls * Mix Insert points * Various solo and solo in place functions * Sum and difference insert with exclusive 'Stereo Width Control' * Separate Monitor and Cue levels * Main and Alt speaker outs * Onboard talkback mic w/talkback input to Cue * Units can be cascaded for multiple output * 2U rackmount design with special shielded power supply * 2 track return, plus iPod input * Headphone outs on front and back  * Optional digital output card; 44.1kHz to 192kHz, plus DSD Neve Specifications Performance: * Frequency Response: Channel 1 line input to main output (20Hz to 20kHz) +/-0.5dB Better than -3dB @ 60Hz * Distortion:  20k Ohms (balanced +4dBu) * Input level maximum: >+26dBu (balanced) Line Output: * Line Output Impedance:  +26dBu into 600 Ohms (balanced), >+14dBu into 600 Ohms Dimensions: * Width: 482mm (19 inches) * Height: 88mm (3 inches) (2U) * Depth: 390mm (15.4 inches) * Weight: 7kg (5.5 pounds) Options: * External Fader Pack: Neve fader pack allows channel and main audio levels to be controlled by faders. This also introduces an AUX output to the unit * Digital Output: Analogue to digital card, capable of sample rates up to 192kHz can be fitted into the internally Ad ID: Delivery Service Consumer Credit

Stagg SMIX 4M2S UD UK Multi-channel stereo mixer w/ 2-4 mono, 2 stereo input channels + USB input

Stagg SMIX 4M2S UD UK Multi-channel stereo mixer w/ 2-4 mono, 2 stereo input channels + USB input Multi-channel stereo mixer w/ 2-4 mono, 2 stereo input channels + USB input - 3-band EQ for each mic channel - low-noise discrete Mic pre-amp on microphone inputs - headphone/monitor output - 10dB attenuator on the stereo channels - auxiliary input & output - +48V phantom power for condenser microphones - FX processor - USB interface for MP3 playback & selection. Please note, mixer is in very good condition, comes with original box, user guide and power adaptor. Ad ID: Delivery Service Consumer Credit

Behringer Xenyx 802 Analog Mixer 8-Input 2-Bus Mixer with XENYX Mic Preamps and British EQs

XENYX 802 Premium 8-Input 2-Bus Mixer with XENYX Mic Preamps and British EQs Selling after a few years of moderate / intermittent use. In good working order. Power cable included. - Premium ultra-low noise, high headroom analog mixer - 2 state-of-the-art XENYX Mic Preamps comparable to stand-alone boutique preamps - Neo-classic "British" 3-band EQs for warm and musical sound - 1 post fader FX send per channel for external FX devices - 1 stereo aux return for FX applications or as separate stereo input - Main mix outputs plus separate control room, phones and stereo CD/tape outputs - CD/tape inputs assignable to main mix or control room/phones outputs - Designed and engineered in Germany Ad ID: Delivery Service Consumer Credit

carlsbro passive mixer

carlsbro em 12 unpowered passive monitor really nice condition 12 inch driver not much usage in past contact paul on moreton wirral area, sorry emails or phone calls only please. Ad ID: Delivery Services Consumer Credit

Behringer Eurorack UBB Input Mixer

Great condition, complete with rack ears for mounting in 19" rack. 2 x mono inputs, 3 x stereo L/R inputs plus tape inputs (L/R). XLR microphone inputs on 5 channels. Can be battery powered but Behringer power supply included. Will demonstrate, collect from Northfield, Birmingham. Read More

Behringer Xenyx XFX 18 Input Mixer

Premium 18-input 3/2-Bus Mixer with XENYX Mic Preamps, British EQ's, 24-Bit Multi-FX Processor This is a brilliant mixer and been used as a backup mixer. This item is used and is in perfect working order/condition. It is currently fitted in a gator 4U Mixer Box which is also for sale for £ Ad ID: Delivery Service Consumer Credit

Mixer desk; 24 input: Allen & Heath; New

Allen & Heath QU 24 Chrome Edition 30. NEVER BEEN OUT OF BOX, 3 months manufacturer's warranty remainingas it was not immediatedly registered for warranty Enquire for details Strictly collection only Read More

Mixer desk; 24 input: Allen & Heath; New

Allen & Heath QU 24 Chrome Edition 30. New, Boxed, 4 months manufacturer's warranty remainingas it was not immediatedly registered for warranty Enquire for details Strictly collection only Read More

Studiomaster C3X Rackmount (1U) 12 Input Mixer

Selling this mixer as I've bought a flatbed mixer. This is a 12 input mixer in a single unit of rack space. Built in DSP effects. Very good condition. Listed online at £169. Priced to sell. No silly offers. If the ad is still on, the mixer is still for sale.. Ad ID: Delivery Services Consumer Credit

Behringer Xenyx 302USB Premium 5-Input Mixer

Usb powered 5 input analog mixer. ultra compact and ultra low noise mixer. Built in stereo usb/audio interface to connect directly to your computer. State of the art phantom powered xenyx mic pre-amp comparable to stand alone pre-amps. Retails for around £40 to £50. If interested please email or text me. Price negotiable. Ad ID: Delivery Service Consumer Credit

Behringer Eurorack Pro RX input rackmount mixer

Professional multi-purpose 16-input ultra-low noise line mixer. Original instructions included. From the manufacturer's blurb: Extremely flexible multi-purpose sub-mixer, multi-track monitoring mixer and level translator. 16 balanced high-headroom line inputs for individual stereo or mono use of each section. Ultra-low noise ULN design, highest possible headroom, ultra-transparent audio. Dedicated balance and level controls plus +4/-10 level selection per channel. Monitor/FX Send control per section with global master send control for flexible monitoring, recording or effects applications. Illuminated double-function "mute" button per section with additional "clip" indication provides comfortable input source/level information. Monitor/FX signal assignable to phones output for added flexibility. Highly accurate 2 x 7-segment LED level meters and individual level control for left and right main mix signal. 1/4'' TRS main mix outputs plus easily accessible headphones output on the front panel with dedicated level control. High-quality detented rotary controls for long-term reliability. Shielded toroidal power transformer for lowest noise interference. Ad ID: Delivery Service Consumer Credit

Behringer Input 2 Bus Mixer AS NEW

I'm selling my Behringer Input 2 Bus analog mixer. It's in perfect, 'As New' condition. Sporadically used for recording video voice overs, never left the studio. Comes with original box, manual and power supply + I'm throwing in 4 mono Jack cables for free. Please email or text to arrange a pickup in Central London. Ad ID: Delivery Service Consumer Credit

Behringer Eurorack MXA mixer, 26 Input 4 Bus.

Full working order with external power unit. In good condition, not had a lot of use. Read More

BEHRINGER XUSB 18 INPUT MIXER WITH EQ AND EFFECTS

BEHRINGER XUSB 18 INPUT MIXER WITH EQ AND EFFECTS Fully working, great mixer for studio or bands. Hi quality Mic pre amps. Search Google for for full specs. Collection only from Loddon, Norfolk £100 ono Ad ID: Delivery Service Consumer Credit

Behringer Xenyx QXUSB Premium 10 Input 2 Bus Mixer

Behringer Xenyx QXUSB Premium 10 Input 2 Bus Mixer. Has onboard effects and 2 mix preamps Brand new unused. Box opened to check if working. Everything works as it should. Boxed and with manual & power supply Ad ID:

NEW - Datavideo SE-MU 6 Input Rackmount HD Mixer

Unit is new and boxed. Comes with full UK warranty. FREE next day Mainland UK Shipping. Payments can be made by Pay Pal. Please call or text for more information. Please note: Computer and monitor NOT included. Features 6 video inputs (SDI x 4 + HDMI x 2) Frame Sync on each input Flexible Mix/Effects Processor with 2 Upstream Keyers, supporting Chroma Key & Linear/Luma Key 2 DSK, supporting Linear & Luma Key Modes 1 PIP (assignable to any of the 4 keyers Wipe Generator: 32 Wipe Patterns, including Circle & Heart | Borders & Softness Control Wipe, Mix & Cut Transitions Full M/E Preview function Any Input (1-6) can be used as a Frame store (Stills Store): Upto 24 images stored on SD Card Assignable Outputs Each SDI output can be switched in the Menu as: - PROGRAM (w/ DSK) - Clean PROGRAM (w/o DSK) - Clean PREVIEW (w/o DSK) - MULTISCREEN - Input 1-6 XPT (Cross Point Assignment) PC control Control Switcher via USB / Laptop keyboard Control with optional RMC-260 Remote streaming of Multi view out using built-in Motion JPEG Streaming processor Tally output GPI output 1U rack mount Ad ID: Delivery Service Consumer Credit

NJS NJM402U 4 Channel DJ Mixer with USB Input

NJS NJM402U 4 Channel DJ Mixer with USB Input NJS NJM402U 4 Channel DJ Mixer with USB Input19 Rack Mountable MixerBass Mid and Treble Control for each Channel2 Aux and 2 Mic InputsTwin 12 Segment Bar Graphs NJS NJM402U 4 Channel DJ Mixer with USB Input Fully featured 19 rack mountable mixer ideal for the professional needing all the features of the top of the range mixer without the cost The product features mic talk over mic EQ twin 12 segment bar graphs balanced output record and booth outputs 2 phono 4 line inputs 2 aux and 2 mic inputs high quality Alps feather fader for smooth clean cross-fading bass mid and treble control for mics with volume control for each mic onoff channel assign switch cue mixing slider split cue monitoring zonebooth volume treble control bass control and high level headphone output Read More

Phonic AM-mic/line 4-st input compact mixer

The Phonic AM440 Analog Mixer is a compact and versatile mixer with 4 mono micline and 4 stereo channel inputs The pre-amps feature ultra low noise technology to ensure a professional and quality sound when used for recording Mono channels have low-cut filters to eliminate any unwanted sounds such as stage rumble sibilance wind noise and any background noise you may encounter With its multi-band EQ on mono channels dual multi-segment LED level meters and high volume headphone outputs the AM440 makes monitoring and controlling a mix even easier With its versatile functionality and affordable price tag this unit is ideal for anyone looking to add to their home studio setup For more information on the AM series please refer to the PDF below Compact and Versatile 4 MonoLine Inputs and 4 Stereo Channel Inputs Low-Noise Output +48V Global Phantom Power Headphones Output Read More

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