passive discrete summing mixes monitor controller switcher

Passive Discrete Summing Mixes Monitor Controller Switcher

Please visit my order page! Active and Passive summing mixers for unique order! Production / Build time: 5 working days Feel free to ask!

Passive Discrete Summing Mixer input designed for

Custom built summing mixer designed for Your studio - direct from VintageMaker! Google it: Vintage Maker Summing Mixer Please note! Price depend of Your desired setup options! Production / Build time: 5-10* busines days *depending on the size of the project You can customize (roughly): Summing network Insertion resistance Sum network designed for Your Studio micpre or DAW amp work range! (let me know about Your gear type to hit best for Your needs) Desktop Box: See LittleOne photos *Can build in to 1U /2U rack if need Desktop LittleOne box: From balanced input! 1U Rack up to 32 input both TRS and DB25 DSUB balanced input Input type as: TRS or DSUB balanced Output type as: TRS or XLR Stereo to mono input feature to desired chanels Master Send/Return by switch for external gears Master Stereo to mono option for mix compatibility test purposes Unique NAME laser engraving and so on... More than happy customers since Google it: Vintage Maker Summing Mixer Why choose LittleOne mixer? Requires only +15 dB /+20dB or +25dB (depending of Your DAW amp or Micpreamp type) of make-up gain! other mixers requires +dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs ! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)!

Passive Discrete Summing Mixer LittleOne 8x2 DB25 input/ TRS

LittleOne 8 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! google it: vintagemaker Input: 8 balanced INPUT by DB25/DSUB Tascam Standard Analog Output: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 1xStereo CH to 2 mono input by switch (for mono instruments like kick, bass,etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2 may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Passive Discrete Summing Mixer LittleOne 16X2 TRS in/TRS out

LittleOne 16 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info: GOOGLE IT VINTAGEMAKER INPUT: 16 balanced INPUT (1,4" TRS) 8xstereo (8L and 8R) OUTPUT: 1xStereo OUTPUT - 2x(1,4"; TRS) Balanced L/R 2xStereo CH to mono = 4 mono input by switch (for mono instruments like bass, kick, snare, etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Available front colours: Black/White and Anthracite Grey Mica Why choose LittleOne mixer? Requires only +15 dB of make-up gain! other mixers requires +dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs ! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Custom built Discrete Monitor Volume Controller

LittleKnob Passive Discrete Balanced Monitor Volume Controller Switcher DUAL INDEPENDENT STEREO BALANCED PATH! More than happy customers since Google it: Vintage Maker Summing Mixer CONTACT ME FOR UNIQUE SETUP ! See the photos from different items! Production / Build time 5-10 busines days! Available in 1U /2U rack unit too! For example the main image setup: 2 Way stereo balanced input A/or/B select by 2 position switch 2 Way stereo balanced output A/or/B select by 2 position switch Volume control attenuator by 21 step precision potentiometer Phase Invert R option by switch Stereo to mono option by switch 2xStereo INPUT by (1,4" TRS L/R balanced) 2xStereo OUTPUT by (1,4" TRS L/R balanced) Phase Invers R side of stereo signal Phase inversion is a subtle, yet versatile music production tool capable of many distinguished feats. First, what is phase inversion? Inverting a wave's phase means swapping the location of its peaks and troughs. This creates cancellation when peaks of one wave coincide with the troughs of the other wave. Stereo to mono- Mono Compatibility test The word 'Mono' is panned absolutelly center. This means both Left and Right speakers reproduce the same word 'Mono' at the same volume. This also sounds 'mono' and so panned to the middle. Checking your mix for Mono compatibility as you go is a good preventative measure. Sometimes just because a mix sounds good in stereo doesn't mean it will sound good when the left and right channels are combined into a mono signal. In some cases, you may hear what is known as comb-filtering, which will color the sound of your mix and cause peaks and dips in its frequency response. In some cases, instruments may lose their integrity or even seem to completely disappear from the mix! Phase Invers R + Mono mode Reversing the phase of the right channel and mono-ing it with the left and sending the result to both speakers is particularly useful for assessing the width content of your mix and distortion characteristic by effectively replacing the 'centre image' with the out-of-phase information. This provides an excellent way to check mono compatibility and to also learn spatial tricks from your favourite reference material. Features 21 step precision Attenuator! FULLY BALANCED FROM INPUT TO OUTPUT! NO STEREO CROSSTALK! NO RELATION BETWEEN L/R SIDES! NOT AFFECT THE STEREO IMAGE! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Available front colours: Black/White and Anthracite Grey Mica Hand wired and tested point-to-point! More than 500 happy customers around of the World! LittleKnob monitor controller, designed for DAW signal routing and volume control of monitors or speakers without any compromises - due to dual stereo solid state network! Both sides (L/R) are separated, built without any relation (connection) between L/R sides! Due to solid state balanced network NO STEREO CROSSTALK, no stereo image collapse or other unwanted effect! ATTENUATOR RANGE: -5,8dB to -70dB RELATIVE to 0dBFS (Decibels relative to full scale) see resolution picture! DISCRETE - CLEAN - TRANSPARENT - SIMPLE Please note! other monitor controllers on similar or higher price segment have mostly unbalanced inside and have stereo crosstalk/stereo collapse issue! More than happy customers since Google it: Vintage Maker Summing Mixer

Solid State Discrete Balanced Monitor Volume Controller and

LittleKnob 2x2 Passive Discrete Balanced Monitor Volume Controller Switcher Discrete Balanced Speaker Selector Monitor Volume Controller and 2 Way Line Switcher CONTACT ME FOR UNIQUE SETUP ! ***google it: vintagemaker 2Way 2xStereo balanced input A/or/B select by 2 position switch 2 Way 2xStereo balanced output A/or/B select by 2 position switch Volume control attenuator by 21 step precision potentiometer 2xStereo INPUT by (1,4" TRS L/R balanced) 2xStereo OUTPUT by (1,4" TRS L/R balanced) Features 21 step precision Attenuator! FULLY BALANCED FROM INPUT TO OUTPUT! NO STEREO CROSSTALK! NO RELATION BETWEEN L/R SIDES! NOT AFFECT THE STEREO IMAGE! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Available front colours: Black/White and Anthracite Grey Mica Hand wired and tested point-to-point! More than 500 happy customers around of the World! LittleKnob monitor controller, designed for DAW signal routing and volume control of monitors or speakers without any compromises - due to dual stereo solid state network! Both sides (L/R) are separated, built without any relation (connection) between L/R sides! Due to solid state balanced network NO STEREO CROSSTALK, no stereo image collapse or other unwanted effect! ATTENUATOR RANGE: -5,8dB to -70dB RELATIVE to 0dBFS (Decibels relative to full scale) see resolution picture! DISCRETE - CLEAN - TRANSPARENT - SIMPLE Please note! other monitor controllers on similar or higher price segment have mostly unbalanced inside and have stereo crosstalk/stereo collapse issue!

Passive Summing Mixer LittleOne 16x2 DB25 DSUB input / TRS

LittleOne 16 input ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info google it: vintagemaker In: 16 balanced INPUT by 2xDB25/DSUB Tascam Standard Analog Out: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 2 STEREO CH TO 4 MONO CH INPUT SWITCH OPTION! Extra feature: 2xStereo to mono = 4 mono by switch Pure hand made!Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. The Stereo to Mono switches mono mode (ON) allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc., or to use normal(OFF) mode:as stereo inputs L/R (pan from DAW) ono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Voodoo Lab Control Switcher Amp Controller Switch

Voodoo Lab Control Switcher Amp Controller Switch Switch channels on multiple amps and easily automate any non-MIDI functions with Control Switcher. Using a Commander or Ground Control Pro, VooDoo Labs new Control Switcher gives you instant MIDI programmability for controlling all foot switchable amp functions including channel switching, reverb, boost, EQ, loop and more. Features 4 completely isolated relays with front panel instant access buttons, separate 1/4 mono outputs and a multi-DIN connector. Runs off a standard 9V power supply and is compact enough to mount behind an amp, inside a rack, or on a pedal board. Dimensions are 6.2 wide x 3.1 deep x 1.2 height in inches. 4 isolated relay controls Front panel instant access buttons Separate 1/4" mono jacks Multi-DIN connector for modern amps Controls any foot switch function Phantom powered by GCX or Pedal Switcher via MIDI cable Works with Program and Control changes Hand built in the U.S.A. Read More

Carlsboro passive monitor

Carlsboro 100 watt passive monitor, used condition but works perfectly. Read More

Excellent Pedal Switcher/Guitar FX Controller for sale - Carl Martin Octa-Switch MKII !!

It's in perfect condition, never gigged. The functionality is excellent but I decided to downsize my board and have no room for it anymore! Usually sells for £299, I'm looking for £200 (collection only in Brighton/Hove). It's a fantastic controller for any analogue board, if it's good enough for Tosin Abasi (AAL) it's good enough for you! Full description: "The Carl Martin Octa-Switch lets you plug eight effects into its eight effects-loops so you can run your pedals without the tapdancing that affects so many guitarists. Carl Martin have added a blue LED for every effects loop used and for each Bank (so once you are programmed, when you step on Bank 6 you will see the lights of all the effects you have assigned to Bank 6 and the Bank 6 LED). That's not the only feature added to this 3rd incarnation, the ninth switch on the left side of the case is a BYPASS switch, letting you hear the pure signal from your guitar and amp. You can also use the Octa-Switch's two External Switching jacks to use two amplifiers and/or switch channels on those amps. There is a is a switchable buffered Mono input and a stereo Output, and the unit is powered by dual 9v batteries, or by a regulated power supply." Ad ID: Delivery Services Consumer Credit

JOYO PXL-Live Guitar Effects Pedal Switcher - 8 Loop - Foot Controller with MIDI Switching

Here we have the marvellous JOYO PXL-Live pedal in immaculate condition and perfect working order. This product is an ex-demo so has barely been used or touched. I have added velcro underneath the pedal so that it can be placed on a pedalboard, however, the velcro can easily be removed if you do not want it. The JOYO has glorifying reviews across the web and magnificent demos on YouTube. Please see below for the product description and a link to the manual. The pedal takes a standard 9V DC power supply, e.g. Boss etc. (negative centre polarity). Product Description: The PXL-Live is a programmable FX pedal switching system with 4 dual loops (8 single), 32 presets, 2 trigger outs and MIDI out. JOYO PXL-Live Guitar FX Single 8 or Dual 4 Channel Switching Pedal The PXL-Live is a programmable FX pedal switching system for guitarists, and bassists that presents the player with an array of options for combining their effects pedals. The unit has a dual 4 channel design, which enables it to be used in a 4 x dual loop setup or with 8 single loops. Combinations of these loops can be stored across 8 banks of 4 presets, giving a total of 32 preset combinations. The PXL Live also incorporates 2 programmable trigger outputs which can be used as amp channel switches or to control effect functions, such as Reverb On/Off. If this wasn’t enough control, JOYO have now incorporated a 5-pin din MIDI output Trigger Points: The PXL-Live features 2 trigger point options that can be programmed to complete external operations such as amp channel switching, bypass, and amp mode, all of which are storable as presets. This feature centralises control and mitigates the need for additional clutter from extra third party footswitches. Looping Options: PXL has 2 sets of 4 loops organised within their own individual loops. This each set of loops can be placed at a different gain stage while retain programmable switching control. For example, 4 loops can be placed before an amp’s preamp, such as compressors, filters, boosts and overdrives, and 4 in the amp’s FX loop, such as modulation, delays and reverbs. Loop in and outs will determine whether you are using the PLX-PRO in single 8 or dual 4 channel mode. Connect Up To 8 Loops of Pedals: With 8 separate Effects send/return channels, you can take full control of your set up through the PLX- PRO. Placement of either a single pedal on a bank, or grouping multiple pedals to form a loop on another will provide you with a specific sounds that can be programmed and switched between in an order that is the most suitable for you. The PLX-PRO will let you take the focus away from where your feet land on your pedal board and let you concentrate on your playing. MIDI Control Options: The PXL-Live can send two sets of MIDI data (for example, it can send MIDI CC+ MIDI program change or MIDI CC+CC). This can be used for controlling MIDI-enabled amp or effects pedal function switching without disrupting the other switches and loops. Please Note: PXL-Live's MlDI connector does not support MIDI input. This PXL-Live cannot be controlled by another MIDI controller. Specifications: 32 preset combinations over 4 Banks. Store and Edit push button functions Bank display, trigger status and on/off indicator light Independent send and return 1/4" jacks for pedals Connection: 1/4" jack input and output connectors. Tuner Out Mute Switch 2 Dedicated Trigger in/out points 2 x Loop in, 1 x Loop out Buffered Bypass switch design. Power Supply: 9V DC. 240mA (negative centre polarity) - NOT included Power working current: 220mA Weight: 1.68kg Dimensions: 541mm (L) x 67mm (W) x 53mm (H) Ad ID: Delivery Service Consumer Credit

Laney passive wedge monitor

Laney wedge monitor cmw, very good condition Read more

Passive Floor Monitor Speaker

OK condition. Works okay I think but not tested in ages. Worked perfect last time. Ad ID:

Wharfedale pro passive monitor

Perfect working order seldom used monitor Ad ID:

Passive Wedge Monitor speaker

Passive Wedge Monitor speaker Brand New 100w speaker(Speaker cost more than the starting price) Removable front grille and single 1/4 jack socket Good condition no rips or tears Full working order Ad ID: Delivery Service Consumer Credit

SM Pro Audio Nano Patch + Passive Volume Controller in

SM Pro Audio Nano Patch + Passive Volume Controller New in box was bought 8 months ago but never used. Collection or can post

Galaxy HS watt passive Hotspot monitor

The new design of the 200 watt passive HS7 monitor includes the convenient mic stand insert on the bottom of the unit. This allows a quick setup on top of a mic stand, with the HS7 angled upward for accurate vocal monitoring. The included mic stand adaptor insures a more stable and secure placement on any mic stand. Molded-in yoke bracket points. With the optional yoke bracket assembly the HS7 can be mounted to a wall or ceiling, or attached to a mic stand. Microphone boom attachment on top of the HS7 eliminates the need for a second mic stand for your microphone. (Requires optional hardware). Integrated handle into the top of the enclosure. Each Hot Spot 7 comes equipped with two Twist-lock 1/4? Combo speaker jacks, which are wired in parallel to allow easy “daisy chaining’ of multiple Hot Spots. 18 dB Stepped Attenuator Volume Control. Wedge shape allows it to sit on top of a keyboard. · 16 ohm Cabinet with Two NEOLITE 5-Inch Drivers · 200 Watts Continuous Power Rating · Freq. Response 150Hz-18kHz · 126 dB SPL - 200 Watts at 0.5 Meter) · Input Connections: Two Twist-lock 1/4? Combo Jacks wired in parallel · Mounts to Any Mic Stand · Integrated Handle, Mounting Points for Mic Boom & Bracket (not included) Read More

Pulse 150W 12" Passive Wedge Monitor.

Pulse PVSW 12" Passive Wedge Monitor. For vocals and live performance. £25 Ad ID: Delivery Services Consumer Credit

Galaxy HS watt passive Hotspot monitor

The new design of the 200 watt passive HS7 monitor includes the convenient mic stand insert on the bottom of the unit. This allows a quick setup on top of a mic stand, with the HS7 angled upward for accurate vocal monitoring. The included mic stand adaptor insures a more stable and secure placement on any mic stand. Molded-in yoke bracket points. With the optional yoke bracket assembly the HS7 can be mounted to a wall or ceiling, or attached to a mic stand. Microphone boom attachment on top of the HS7 eliminates the need for a second mic stand for your microphone. (Requires optional hardware). Integrated handle into the top of the enclosure. Each Hot Spot 7 comes equipped with two Twist-lock 1/4″ Combo speaker jacks, which are wired in parallel to allow easy “daisy chaining’ of multiple Hot Spots. 18 dB Stepped Attenuator Volume Control. Wedge shape allows it to sit on top of a keyboard. · 16 ohm Cabinet with Two NEOLITE 5-Inch Drivers · 200 Watts Continuous Power Rating · Freq. Response 150Hz-18kHz · 126 dB SPL (200 Watts @ 0.5 Meter) · Input Connections: Two Twist-lock 1/4″ Combo Jacks wired in parallel · Mounts to Any Mic Stand · Integrated Handle, Mounting Points for Mic Boom & Bracket (not included) Ad ID: Delivery Service Consumer Credit

Proel Guitar / PA monitor passive 150w

Like-new condition only gigged with once, looks brand new. Passive monitor great for guitar / PA / vocals. 150 watts dual speaker Ad ID: Delivery Services Consumer Credit

12" passive wharfedale monitor for sale

12" passive wharfedale monitor for sale. Great condition, it's just got 1 broken jack input socket as shown in pics. £100 Ono Read More

Alesis Monitor One MK2 Passive Speakers (pair)

Decent condition Passive Alesis Monitor Speakers. Used in a smoke free home. Ad ID: Delivery Service Consumer Credit

Alesis Monitor One Mk2 Passive Studio Monitors (Pair)

Alesis Monitor One Mk2 Passive Studio Monitors (Pair) Selling a pair of Alesis Monitor One Mk2 Passive Studio Monitors. As they are passive (not active), they need to be powered by an amp. In good condition, and provide great performance. Only used for light home studio use. I am also including a decent length of Gale speaker cable for each speaker. Viewings welcome. Collection only from Norwich. Ad ID: Delivery Service Consumer Credit

Alesis Monitor One Mk2 Passive Studio Monitors (Pair)

Alesis Monitor One Mk2 Passive Studio Monitors (Pair) Selling a pair of Alesis Monitor One Mk2 Passive Studio Monitors. In good condition, and provide great performance. Only used for light home studio use. I am also including a decent length of Gale speaker cable for each speaker. Viewings welcome. Collection only from Norwich. Ad ID: Delivery Service Consumer Credit

Stage monitor wedge /drum fill large 3 way passive

Very heavy duty-expensive drivers-new horn just fitted -speakon inputs-pick up only from N8 or Soho -can be tested -no timewasters Ad ID: Delivery Service Consumer Credit

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