warm audio wa 12 microphone preamp api

Warm Audio WA-12 Microphone preamp Api

Hi, I bought this from new and used in my smoke free studio. Original power adapter and uk plug adapter that came with it. I have the box somewhere. It is in top condition as sat in the same spot from new. Basically an Api pre if you didn't know and uses a cinemag transformer. Has a solid bottom end for vocals / drums. Can meet around London or collection from home. Best, Leon Ad ID: Delivery Service Consumer Credit

Warm Audio WA-12 MkII / Unused / As New, with warranty

Got as a part of a package deal, and realised I don't need it. It has seen about 30 mins of use. Sounds excellent - huge variety of tones available via gain / output balancing. Comes with everything I got with it, and it'll still have just under 3 years of warranty left. Ad ID: Delivery Service Consumer Credit

"NEW" M-AUDIO AUDIO BUDDY MICROPHONE PREAMP AND DIRECT BOX

"brand new " still in vacuum packaging. purchased but never got round to using. great bit of kit for home recording ect. Read more

WARM AUDIO EQP-WA STEREO PAIR EQUALISER

WARM EQP-WA STEREO PAIR FOR SALE! ITEM HAS BEEN OPENED ONCE BUT NOT USED. IT HAS BEEN RESEALED AND IS IN EXCELLENT CONDITION. Features: Tube Equalizer based on the classic "Pultec" EQP-1A CineMag input and output transformers - Made in U.S.A. Premium high voltage 12AX7 and 12AU7 tubes CineMag inductor EQ section EQ section can be bypassed signal still passes through tubes and transformers for warming effect No insertion loss - loss restored by tube amplifier XLR and TRS transformer balanced inputs and Outputs Flat frequency response from 20 Hz - 50 kHz Boost and Cut controls can be used simultaneously for phase effect Low frequency boost: Hz - 12dB Low frequency cut: Hz - 18dB High frequency boost: kHz - 18dB High frequency cut: kHz - 14db 5 added frequency points for greater flexibility Internal Switchable Volt IEC Power Connection Ad ID: Delivery Services Consumer Credit

Warm Audio EQP-WA Pultec mono program EQ

Boxed as new...this sounds every bit as good as the actual Pultec in character and tone but for a fraction of the price...on vocals, drums and bass this is pretty much untouchable but especially on program material where it just seems to tighten and enhance everything in a good way, check online to see the A-B comparisons and you will see that all the trained ears found it very hard to tell between the Pultec and this, it really is that good. Its as new and costing £660+ in the shop this is a great saving Ad ID: Delivery Service Consumer Credit

Warm Audio EQP-WA Pultec mono program EQ

Boxed as new...this sounds every bit as good as the actual Pultec in character and tone but for a fraction of the price...on vocals, drums and bass this is pretty much untouchable but especially on program material where it just seems to tighten and enhance everything in a good way, check online to see the A-B comparisons and you will see that all the trained ears found it very hard to tell between the Pultec and this, it really is that good. Its as new and with them costing £750 in the shop, this is a great saving. Ad ID: Delivery Service Consumer Credit

Warm Audio EQP-WA Tube EQ. New condition.

Warm Audio EQP-WA Tube EQ. New condition. Unmarked and with all original packaging. I bought it and then found I have physically no way of incorporating it into my studio! The photo is stock. I will upload pictures of mine sap. Collection in person from DN8 or HU10 areas is welcome otherwise Parcelforce 48 hour tracked delivery. £615 plus £13 P&P. Read More

Applied Microphone Technology AMT WS Double Clarinet/Oboe Microphone with BP45 Preamp

The AMT WS Clip-On Double Microphone System includes the WS Double condenser microphone and the BP45 beltpack preamp. The WS is a low-profile double condenser microphone that attaches to the clarinet, alto and bass flute, or oboe with a Ultra- miniature low mass clamp. It is specifically designed for the timbre of the clarinet, The instrument microphone provides pure tonal reproduction while being unobtrusive. It has an even reproduction of sound across the entire instrument. The AMT WS features a flexible gooseneck, allowing the player to position the microphone for the best possible tone reproduction. It's rugged construction of anodized aviation aluminum makes it highly durable, while being lightweight and non-corrosive. The WS features one microphone at the bell and second positioned over the keys to provide a truer reproduction for the musical instrument's tone quality.The WS mic is terminated by a 3.5mm plug which connects to a belt pack preamp. The output is a predetermined mix Ad ID: Delivery Service Consumer Credit

Cello Audio Palette & Audio Suite Preamp

Cello Audio Palette and Audio Suite with a master power supply. Both the Palette and Suite work flawlessly without any issue. Included in this sale are: (1) Cello Audio Suite equipped with P301 output module and P100 phono input module. (1) Cello Audio Palette (1) Cello master power supply (2) Cello 5-wire power lines.

WARM EQP-WA STEREO PAIR

WARM EQP-WA STEREO PAIR FOR SALE! ITEM HAS BEEN OPENED ONCE BUT NOT USED. IT HAS BEEN RESEALED AND IS IN EXCELLENT CONDITION. Ad ID:

Microphone- Audio Technica Microphone Radio System

Audio Technica atw- Series wireless microphone system (professional true diversity UHF wireless) in good condition. The price excludes p&p and insurance which will be extra. Collection/demonstration preferred. Read more

Microphone - Audio Technica Microphone Radio System

Audio Technica atw- Series wireless microphone system (professional true diversity UHF wireless) in good condition. The price excludes p&p and insurance which will be extra. Collection/demonstration preferred. Read More

Studio projects VTB1 Valve mic microphone preamp

On the middle knob, it has a bit missing and Ive put some tape on power supply where the wire was showing. Doesn't effect operation though Amazing with ribbon mics and basically any mic Sad to see it go, but going abroad There are some cool mods for these I bought some BB chips and different valves, but didn’t get chance to change em(and they are not included in this auction) Incredibly Affordable Single-Channel Mic Preamp! The new Studio Projects VTB1 is the ultimate in low cost mic preamplifier technology. Incorporating true Class A/B switching, the VTB1 is a totally discrete circuit. Unique to the VTB1 is the "Tube Drive". The Tube Drive is a variable drive to a 12AX7, that allows the user to blend as little, or as much of the Tube Drive they want. This VTB1 allows the user the most flexibility of any mic preamplifier in it's price class. Studio Projects VTB1 Applications: A superb vocal mic pre Great for use as a Tube DI Box Great for production, broadcast, and voice over work Perfect for the professional and home project studio A quality vocal mic preamplifier suitable for all vocal styles The VTB1 allows you to go from a pristine solid state sound, to any combination of Tube Drive you choose - even hard distortion for guitars and bass! The VTB1 is must have device as the perfect mic preamplifier for any microphone! Studio Projects VTB1 Features: 48 Volt Phantom Power Phase Reverse Variable Input Gain Control On Detented Pot 1/4" D.I. Jack On Front Panel High Pass Filter Descrete Solid State Class A/B Design TRSInsert Mic/Line Switch VariableTube Blend On Detented Pot Meter Read Select Between Input and Output level Switchable Impedance between Ohm 5 position LED metering XLR mic input Balanced outputs on XLR and 1/4" External AC Power Supply For extreme Low Noise Operation Output Gain Control On Detented Pot Feel free to ask any questions Ad ID: Delivery Service Consumer Credit

Sontronics Sonora II dual-channel Microphone Preamp in

I have 2 of these units available. Fantastic quality British-made preamps. Sound amazing on virtually anything! They are pretty much brand new and I still have the boxes etc. £425 ono each, or £800 ono for both.

NEW Neve CH Hand-Wired Microphone Preamp & EQ

Classic transformer microphone preamp amp (Class A design) 3 EQ bands Hand-built and hand-wired to original s design HP filter Neve designed hand-wound transformers Both inputs are transformer balanced and earth free Microphone Input: Gain +80db to +20dB in 5dB steps. Line Input: Input impedance 10k ohms, gain +20dB to -10dB in 5dB steps. Output: Maximum output is >+26dBu into 600 ohms. Output is transformer balanced and earth free Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) into 600 ohms. Freq Response: +/-0.5dB 20Hz to 20kHz, -3dB at 40kHz. EQ Out. Please find this item on discount24.shop Ad ID: Delivery Service Consumer Credit

Warm Audio WA76 Compressors - Matched pair- universal audio clones

I am selling these factory matched pair of clone compressors. These have basically never been used. I bought them new but just use plugins so they are unused. They just been sat in my rack. I have the original boxes and receipts. Read the sound on sound reviews on these- they are fantastic and use the Cinemag transformers. Feel free to call or email me to ask any questions. Thanks Ad ID: Delivery Service Consumer Credit

EDIFIER 2.1 Audio System 15-wa

EDIFIER 2.1 Audio System 15-watt subwoofer.Excellent Condition all cables included 15 ()

M-Audio Tampa Mic Preamp

M-Audio Tampa Mic Preamp with temporal harmonic alignment. Used but in full working order. Collection only. Ad ID: Delivery Service Consumer Credit

Lone Wolf Audio OD100 Overdrive/Preamp

Really cool Dumble preamp pedal. Sounds great for a wide variety of sounds from low gain boost to higher gain riffing with the foot switchable jazz/rock setting. Really cool pedal which I'm sad to have to let go as I waited ages for it to arrive, but don't have use for it right now. Can post for £5 extra or collect from me In Brighton

Amek BC2 Vintage Mixing Desk (similar to Neve, SSL, API, TL Audio)

I'm selling my Amek BC 2 mixing console. It's an amazing sounding desk. I've been using it for a couple of years in my studio and it's been fab for tracking and summing. I mostly work in the box so this has been an excellent bit of kit to have in terms of warming up digital sounding mixes and recordings to make them richer. It's got 5 mic channels with Langley pre mods and 6 mono/stereo line level channels. The meter bridge has been upgraded before I bought it. This is a great option for anyone wanting a warm vintage sound on a budget. Rupert Neve had a hand in this company and it shows in the quality of the sound. If you want it then I'm happy to include the desk I made for it. The Amek sits in there at a nice angle and there's a pull out shelf for a piano keyboard. It's screwed and glued together but I'm fairly confident it'll be possible to dismantle it to get it out of the attic (where it was made and is pictured) without much more than cosmetic damage to it. I'm moving to a bigger studio and will need more tracking capability hence the sale. (I actually bought a bigger version of this same desk). It comes with a patch bay and wiring loom (already wired up) and the original manual with some additional notes about it's current configuration. Questions and viewings welcomed. Ad ID: Delivery Service Consumer Credit

API 10 slot lunchbox with 2 Neve API 512

Mint condition. The API 500VPR 10 Slot Rack with Power Supply is a rugged 3U rackmountable chassis for your API 500 series collection. Designed to house API standard format 5.25'' x 1.5'' modules, the 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS plus XLR inputs and outputs. Holding up to ten API modules, this unit is ideal for users looking for a portable audio solution that is fully customisable. Perfect for a range of different audio applications, the 500VPR excels in versatile functionality and portability. AMS Neve LB Mono Mic Preamp Module - API Lunchbox format. Designed and manufactured in England, the LB retains the unique sonic characteristics of the original Classic microphone preamplifier by using the same architecture, matching components and original hand-wound transformers. And it delivers it in a modern and portable form-factor that professional producers and engineers demand. With new features like a fine TRIM control, switchable microphone input impedance, signal presence LED, intelligent protected switching of front combi-XLR input connector and Neve's clever Audio Processing Input design, the LB takes your LunchboxTM to the next level. Launched in , the is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 40 years. The big, punchy sound of the complements any musical genre – from rock to pop, hip-hop to rap, thrash to classical. And now it is available for your Lunchbox. Simply install into an empty slot in your compatible LunchboxTM rack, connect your microphone or line level signals and inject that legendary sound into your audio creations. AMS Neve LB main features include: Classic transformer microphone preamp (Class A design) Neve designed hand-wound transformers Both Mic and Line inputs are transformer balanced and earth free Gain knob with Signal Presence LED +5/-10dB level Trim control with integrated phantom power on/off switch Phase, Impedance and Front Input selector switches Front combi-XLR connector with intelligent switching of phantom power Audio Processing Insert design allows processing from adjacent Neve modules in same LunchboxTM to be inserted into the LB's pre-output stage Microphone Input: Gain -80db to -20dB in 5dB steps Line Input: Input impedance 4k ohms bridging, gain -20dB to +10dB in 5dB steps Output is transformer balanced and earth free Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) Freq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz Crafted in England by Neve engineers MPN: LB Manufacturer: AMS NEVE API 512c Mic Pre Features Mic Preamp with 65 dB of gain Front and Back Panel Mic Input Access Line/Instrument Preamp with 45 dB of gain Front Panel Line/Instrument Input LED VU meter for monitoring output level 20 dB pad switch, applies to mic/line/instrument 48v Phantom switchable power Traditional API fully discrete circuit design Uses the famous API Op-Amp The API 512c is a mic / line / instrument preamp designed to provide a low noise, unusually good sounding front end for all types of audio systems. Sonically, it offers the distinct API sound at an extremely affordable price. Offering low noise (-129 EIN) and 65 dB of gain, the 512c includes phantom power, and switchable polarity, -20 dB pad and Mic or Instrument/Line selector. Front panel XLR and 1/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox®, API's 10 position 500V vertical rack, or an API console. The API 512c remains faithful to the circuit designs of API's founder, Saul Walker. Fully featured and still hand assembled, the 512c carefully preserves the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access points, it is equally at home in the commercial recording studio as it is in the home project studio. The 512c Mic/Line Preamp makes use of the op-amp and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products Read more

API 10 slot lunchbox with 2 Neve API 512c

12 months old and in mint condition. The API 500VPR 10 Slot Rack with Power Supply is a rugged 3U rackmountable chassis for your API 500 series collection. Designed to house API standard format 5.25'' x 1.5'' modules, the 500VPR is internally wired for PIN 2 hot, and comes with the API L200PS plus XLR inputs and outputs. Holding up to ten API modules, this unit is ideal for users looking for a portable audio solution that is fully customisable. Perfect for a range of different audio applications, the 500VPR excels in versatile functionality and portability. AMS Neve LB Mono Mic Preamp Module - API Lunchbox format. Designed and manufactured in England, the LB retains the unique sonic characteristics of the original Classic microphone preamplifier by using the same architecture, matching components and original hand-wound transformers. And it delivers it in a modern and portable form-factor that professional producers and engineers demand. With new features like a fine TRIM control, switchable microphone input impedance, signal presence LED, intelligent protected switching of front combi-XLR input connector and Neve's clever Audio Processing Input design, the LB takes your LunchboxTM to the next level. Launched in , the is the first choice of leading producers and artists, delivering the unique Neve sound on some of the most famous recordings of the past 40 years. The big, punchy sound of the complements any musical genre – from rock to pop, hip-hop to rap, thrash to classical. And now it is available for your Lunchbox. Simply install into an empty slot in your compatible LunchboxTM rack, connect your microphone or line level signals and inject that legendary sound into your audio creations. AMS Neve LB main features include: Classic transformer microphone preamp (Class A design) Neve designed hand-wound transformers Both Mic and Line inputs are transformer balanced and earth free Gain knob with Signal Presence LED +5/-10dB level Trim control with integrated phantom power on/off switch Phase, Impedance and Front Input selector switches Front combi-XLR connector with intelligent switching of phantom power Audio Processing Insert design allows processing from adjacent Neve modules in same LunchboxTM to be inserted into the LB's pre-output stage Microphone Input: Gain -80db to -20dB in 5dB steps Line Input: Input impedance 4k ohms bridging, gain -20dB to +10dB in 5dB steps Output is transformer balanced and earth free Distortion: Not more than 0.07% from 50Hz to 10kHz at +20dBu output (80kHz bandwidth) Freq Response: ±0.5dB 20Hz to 20kHz, -3dB at 40kHz Crafted in England by Neve engineers MPN: LB Manufacturer: AMS NEVE API 512c Mic Pre Features Mic Preamp with 65 dB of gain Front and Back Panel Mic Input Access Line/Instrument Preamp with 45 dB of gain Front Panel Line/Instrument Input LED VU meter for monitoring output level 20 dB pad switch, applies to mic/line/instrument 48v Phantom switchable power Traditional API fully discrete circuit design Uses the famous API Op-Amp The API 512c is a mic / line / instrument preamp designed to provide a low noise, unusually good sounding front end for all types of audio systems. Sonically, it offers the distinct API sound at an extremely affordable price. Offering low noise (-129 EIN) and 65 dB of gain, the 512c includes phantom power, and switchable polarity, -20 dB pad and Mic or Instrument/Line selector. Front panel XLR and 1/4 inch connectors combined with rear panel mic access allows for additional flexibility when installed into an API lunchbox®, API's 10 position 500V vertical rack, or an API console. The API 512c remains faithful to the circuit designs of API's founder, Saul Walker. Fully featured and still hand assembled, the 512c carefully preserves the original sound character that made it so much a part of the early days of recording. Offering high headroom and a wide variety of inputs and input access points, it is equally at home in the commercial recording studio as it is in the home project studio. The 512c Mic/Line Preamp makes use of the op-amp and therefore exhibits the reliability, long life, and uniformity which are characteristic of all API products. Read More

Go Processing API - Mobile Recharge API Portal in

Go Processing is considered as the best Mobile Recharge API supplier. There are a few purposes behind that. Give me a chance to examine these focuses one by one. The interface gave by Go Processing gives revive to all the significant telecom administrators. With the single interface, you can encourage revive for various administrators. Not just this, you can likewise revive the information card and dth with this. Another motivation to make this organization.

SPL Gainstation 1 Microphone Preamp, DI, Tube and Solid State, Limiter

The SPL Gainstation is almost a collector's item as it's price is going up and is very rare to find. Featuring both Tube and Solid State circuits it provides warmth to vocals, punch and nice low end on bass and has two limiter circuits (Peak and FET). Also very portable if you're recording on the go. Made in Germany, the quality standards are impeccable. Carrying case included (worth £70). Please check video of it being use on bass (my own personal unit). Collection from London, Arsenal. Any questions please ask! Thanks for looking! It's very compact design allows for free placing also outside of a rack (e. g. close to the microphone). Musicians can place the GainStation 1 easily on a rack or amplifier. Separated Solid state and tube preamps. The tube preamp can be added to the solid state stage to add varying amounts of tube saturation from subtle to brutal Peak/FET Limiter Switchable Mic Input Impedance (200 Ohms, kOhms) Custom-made, fully discrete, class A op-amps (no off-the-shelf stuff here). 60V Rail operating voltage—twice as high as most common op-amps—for an incredible dynamic range. All switch functions are handled by encapsulated relays with gold-plated contacts. An extremely high amplifier slew rate of An almost entirely DC-coupled signal path, making signal-degenerating condensers unnecessary. An optimised layout guarantees the shortest possible signal paths, while generously proportioned grounding surfaces ensure low impedance and maximum shielding. All resistors are within 0.1% tolerance and were selected after extensive listening tests. A no-compromise power supply with extensive additional shielding and seven separately wound and regulated voltages. A tube stage utilising premium MKP foil condensers and a select 12 AX7 LPS tube for clear, dynamic audio. Optional AD converter and Lundahl input transformer Made in Germany Ad ID: Delivery Service Consumer Credit

Joe Meek VC3 Pro Mic Pre-amp Compressor Enhancer microphone preamp

Great little channel with a mic pre or line in / opto compressor / enhancer from Joe Meek, a Ted Fletcher design. Excellent, fully working condition. XLR mic in (with optional 48v phantom power) and unbalanced 1/4" jack line in. Opto compressor with variable release and fast/slow attack switch. Plus enhancer and drive. PSU included. Here's the info... THE INPUT STAGE The 'front end' is an entirely new design using 5 complete stages of amplification controlled by a single volume control. The design gives (microphone) input headroom of more than 30dB; the input is floating balanced and will easily accept microphone levels from -70dB up to more than 0dB. Phantom power is provided for capacitor microphones. - Noise performance is up to finest laboratory standards (dB below input 20Hz to 20KHz 200ohm input termination) - The line input is designed for unbalanced circuits and will accept -30dB up to +24dB. The nominal operating level at the 'insert' point is -10dB. but as maximum output at that point is +24dB the PROCHANNEL can operate with any mixer or outboard equipment. THE OUTPUT STAGE An LED 'meter' shows levels immediately before the output stage. An output volume control gives the choice of output volume levels. The two output jack sockets are identical. Output is balanced 75 ohm with maximum output +26dB. Noise is approx. -80dB. THE COMPRESSOR The built-in JOEMEEK compressor is slightly different from the big studio unit so that it is easier to use with musical instruments. The attack is switched 1mS and 10mS. The release is variable from 250mS up to 3secs. There is an in/out switch for comparisons. The compression control is rotary. The compression ratio varies from 1.5 to 1 up to 7 to 1 depending on musical content. THE ENHANCER The enhancer adds harmonics to the musical signal making it richer and more exciting. The 'drive' control takes parts of the signal and feeds them to a separate compression processor. The compressed harmonics are 'tuned' by the 'Q' control and then mixed back into the musical signal by the enhance control. The whole effect is highly subjective and technical performance specifications are not helpful. OVERALL PERFORMANCE Frequency response +0 -0.5dB 10Hz to 50KHz Low frequency accuracy maintained to get clear unmuddled bass sounds onto digital recorders. Harmonic distortion less than 0.01% except where compression affects low frequency wave shape. Noise generally 100dB below input (dB below input on mic at more than 50dB gain) Ad ID: Delivery Services Consumer Credit

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