custom summing mixer for your studio from

Custom Summing Mixer for Your studio! From -

Custom built summing mixer designed for Your studio - direct from VintageMaker! Google it: Vintage Maker Summing Mixer Please note! Price depend of Your desired setup options! Production / Build time: * busines days *depending on the size of the project You can customize (roughly): Rack Unit size: 1U / 2U or 3U From in - even up to 96 balanced input! From 1xStereo L/R balanced out, even up to 4xStereo output Input and output type as: XLR /TRS or DSUB balanced. Stereo to mono input feature to desired chanels Master Send/Return by switch for external gears Multiple Master Send/Return for more then one external processor Master Stereo to mono option for mix compatibility test purposes Master Output ON/OFF control by switch Unique laser engraving and so on... More than happy customers since Google it: Vintage Maker Summing Mixer

Passive Discrete Summing Mixer input designed for

Custom built summing mixer designed for Your studio - direct from VintageMaker! Google it: Vintage Maker Summing Mixer Please note! Price depend of Your desired setup options! Production / Build time: 5-10* busines days *depending on the size of the project You can customize (roughly): Summing network Insertion resistance Sum network designed for Your Studio micpre or DAW amp work range! (let me know about Your gear type to hit best for Your needs) Desktop Box: See LittleOne photos *Can build in to 1U /2U rack if need Desktop LittleOne box: From balanced input! 1U Rack up to 32 input both TRS and DB25 DSUB balanced input Input type as: TRS or DSUB balanced Output type as: TRS or XLR Stereo to mono input feature to desired chanels Master Send/Return by switch for external gears Master Stereo to mono option for mix compatibility test purposes Unique NAME laser engraving and so on... More than happy customers since Google it: Vintage Maker Summing Mixer Why choose LittleOne mixer? Requires only +15 dB /+20dB or +25dB (depending of Your DAW amp or Micpreamp type) of make-up gain! other mixers requires +dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs ! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)!

Neve summing mixer

Hand-built and hand-wired at the Neve factory in Burnley, England, the Neve  allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides 16 input channels with +15dB gain, level, pan, cut/solo and cue controls. Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect. With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the to be saved to a PC or Mac and recalled ready for remix. The uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique 'Stereo Width' control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned. For those requiring digital output, the ’s analog-to-digital conversion option (*Not included) supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A/D conversion units costing as much or more than the entire mixer. If sixteen inputs aren’t enough for your mix, multiple units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the Fader Pack, which provides 18 long-throw faders for hands-on control. Neve Features * Hand-built, hand-wired 16-channel summing mixer for use in professional computer-based studios * Classic Neve analogue transformer mix bus topology * Instant Recall of settings stored on PC or Mac via USB * 16 input channels plus aux additional inputs * Cue, Level, Pan, Solo and Mute controls * Mix Insert points * Various solo and solo in place functions * Sum and difference insert with exclusive 'Stereo Width Control' * Separate Monitor and Cue levels * Main and Alt speaker outs * Onboard talkback mic w/talkback input to Cue * Units can be cascaded for multiple output * 2U rackmount design with special shielded power supply * 2 track return, plus iPod input * Headphone outs on front and back  * Optional digital output card; 44.1kHz to 192kHz, plus DSD Neve Specifications Performance: * Frequency Response: Channel 1 line input to main output (20Hz to 20kHz) +/-0.5dB Better than -3dB @ 60Hz * Distortion:  20k Ohms (balanced +4dBu) * Input level maximum: >+26dBu (balanced) Line Output: * Line Output Impedance:  +26dBu into 600 Ohms (balanced), >+14dBu into 600 Ohms Dimensions: * Width: 482mm (19 inches) * Height: 88mm (3 inches) (2U) * Depth: 390mm (15.4 inches) * Weight: 7kg (5.5 pounds) Options: * External Fader Pack: Neve fader pack allows channel and main audio levels to be controlled by faders. This also introduces an AUX output to the unit * Digital Output: Analogue to digital card, capable of sample rates up to 192kHz can be fitted into the internally Ad ID: Delivery Service Consumer Credit

AMS Neve Channel Summing Mixer

AMS Neve Channel Summing Mixer Hand-built and hand-wired at the Neve factory in Burnley, England, the Neve  allows engineers and producers to mix their music on a true, albeit diminutive, Neve summing mixer. The unit provides 16 input channels with +15dB gain, level, pan, cut/solo and cue controls. Additionally, a post-insert mix function can be used for mixing in a separate stem, or blending the mix with a special effect. With four monitor sources, two sets of speakers, independent monitor level control, talkback mic, cue send and headphone outs, the effectively upgrades a digital audio workstation to a professional mixing facility. And an onboard USB connector allows snapshots of the to be saved to a PC or Mac and recalled ready for remix. The uses the same transformer mixing topology as the classic 80 Series console, with two custom Carnhill transformers on the stereo mix bus output, plus a unique 'Stereo Width' control as found in professional mastering studios. And what all this means is that the unit delivers the open, punchy mixes for which Neve consoles have long been renowned. For those requiring digital output, the ’s analog-to-digital conversion option (*Not included) supports standard sample rates to 192kHz and direct conversion to DSD (Direct Stream Digital). This Neve-designed ADC has been compared quite favorably to dedicated professional A/D conversion units costing as much or more than the entire mixer. If sixteen inputs aren’t enough for your mix, multiple units can be cascaded together via a dedicated 2-track bus. And the unit can be paired with the Fader Pack, which provides 18 long-throw faders for hands-on control. Neve Features * Hand-built, hand-wired 16-channel summing mixer for use in professional computer-based studios * Classic Neve analogue transformer mix bus topology * Instant Recall of settings stored on PC or Mac via USB * 16 input channels plus aux additional inputs * Cue, Level, Pan, Solo and Mute controls * Mix Insert points * Various solo and solo in place functions * Sum and difference insert with exclusive 'Stereo Width Control' * Separate Monitor and Cue levels * Main and Alt speaker outs * Onboard talkback mic w/talkback input to Cue * Units can be cascaded for multiple output * 2U rackmount design with special shielded power supply * 2 track return, plus iPod input * Headphone outs on front and back  * Optional digital output card; 44.1kHz to 192kHz, plus DSD Neve Specifications Performance: * Frequency Response: Channel 1 line input to main output (20Hz to 20kHz) +/-0.5dB Better than -3dB @ 60Hz * Distortion:  20k Ohms (balanced +4dBu) * Input level maximum: >+26dBu (balanced) Line Output: * Line Output Impedance:  +26dBu into 600 Ohms (balanced), >+14dBu into 600 Ohms Dimensions: * Width: 482mm (19 inches) * Height: 88mm (3 inches) (2U) * Depth: 390mm (15.4 inches) * Weight: 7kg (5.5 pounds) Options: * External Fader Pack: Neve fader pack allows channel and main audio levels to be controlled by faders. This also introduces an AUX output to the unit * Digital Output: Analogue to digital card, capable of sample rates up to 192kHz can be fitted into the internally Ad ID: Delivery Service Consumer Credit

Passive Summing Mixer LittleOne 16x2 DB25 DSUB input / TRS

LittleOne 16 input ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info google it: vintagemaker In: 16 balanced INPUT by 2xDB25/DSUB Tascam Standard Analog Out: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 2 STEREO CH TO 4 MONO CH INPUT SWITCH OPTION! Extra feature: 2xStereo to mono = 4 mono by switch Pure hand made!Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. The Stereo to Mono switches mono mode (ON) allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc., or to use normal(OFF) mode:as stereo inputs L/R (pan from DAW) ono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Passive Discrete Summing Mixer LittleOne 8x2 DB25 input/ TRS

LittleOne 8 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! google it: vintagemaker Input: 8 balanced INPUT by DB25/DSUB Tascam Standard Analog Output: 2x(1,4" TRS) Balanced L/R - 1xStereo out bylanced 1xStereo CH to 2 mono input by switch (for mono instruments like kick, bass,etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Why choose LittleOne mixer? Requires only +15 dB of make-up gain! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs 2-4-6! No unused input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs 1 & 2 may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 or other mono instrument. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

Small drawer good for your office/studio or close to your bed

Small drawer good for your office/studio or close to your bed Ad ID: Delivery Service Consumer Credit

  Soot sprites from Studio Ghibli - make your

make your own soot sprite kit. everything you need to make your own cute fluffy soot sprite. finished sprite not included.  Please take a look at my new Facebook page Cuteheart www.fb.com/CuteheartBoo and if you like what you see and haven't already clicked 'Like' then please help me get started and feel free to share as well (^_^). There will be more items added daily and I will be doing a competition in the near future. I sell a range of uniquely made jewellery, Studio Ghibli handmade items, rune stones and fortune sticks.

Passive Discrete Summing Mixer LittleOne 16X2 TRS in/TRS out

LittleOne 16 ANALOG Passive Discrete Summing Mixer CONTACT ME FOR UNIQUE SETUP ! more info: GOOGLE IT VINTAGEMAKER INPUT: 16 balanced INPUT (1,4" TRS) 8xstereo (8L and 8R) OUTPUT: 1xStereo OUTPUT - 2x(1,4"; TRS) Balanced L/R 2xStereo CH to mono = 4 mono input by switch (for mono instruments like bass, kick, snare, etc.) Pure hand made! Hand wired and tested point-to-point! Selected VISHAY DALE military metal-film resistors! Laser engraved massive aluminium alloy box! Available front colours: Black/White and Anthracite Grey Mica Why choose LittleOne mixer? Requires only +15 dB of make-up gain! other mixers requires +dB!!! Fully balanced solid state network & switching network from input to output. Can be left "free" unconnected inputs ! No unused/unconnected input problem! No thermal noise on passive mode due to custom-developed balanced summing network. Absolutely repeatability DAW control: Volume Panorama, EQ, and effects sends of your mix from within the DAW, and send as many as different tracks or submixes to Summing Mixer. Can handle both balanced/unbalanced signal from synth like Moog, Nord, Yamaha etc. Can handle large external instruments like samplers, tape machines, drummachines etc. Can be fit to all brand of DAW interfaces like Digidesign 192, Avid HD I/O 16X16,Universal Audio, RME Fireface, Prism, Lynx Aurora, Apogee, Motu, Focusrite, Metric Halo, Steinberg MR816, and so on.. Can handle external signal processors eg. EQ, Compressor, Limiter, Multi Effects Processors like Massenburg, Drawmer S3, Lexicon, Alesis, Tube-Tech LCA2B, JoeMeek, FMR Audio RNC DBX, ART etc. Can handle large number of external mic preamps like AMS Neve ,Aphex Channel, Great River, Avalon, Chandler Limited, Crane Song, SPL, Focusrite, Presonus, Midas, Summit Audio, ART Pro and so on... Extremely simple, Discrete, pure, and transparent signal path. Can be used for external DAW summing or as a line summing mixer for effects external pres,instruments, synths, drum machines or any (balanced/unbalanced) line signal! Other passive summing mixers on the marketplace requires +dB makeup gain! More than 500 happy customers around of the World! Stereo to mono option: - the mono is true analog mono! However, for mono signals (such as kick, snares, lead vocals or bass that should appear centered in the middle of a mix), it would be a waste to use (Stereo L/R panned channels) what would amount to two required converters for a mono result. In such cases, channel pairs etc may be switched to mono mode (CH1 to 1-2), so that, for example, there might be a (mono) kick on channel 1, snare on channel 2 and bass on channel 3, etc. Stereo to Mono switch mono mode (ON): allow to place inputs 1/2 and 3/4 in mono (center) and send/route mono tracks from your DAW, using the Stereo/Mono option for mono instruments like bass, sub bass, kick, snare etc. Stereo to Mono switch mono mode (OFF): normal stereo signal input L/R (pan from DAW) LittleOne is therefore able to assume a wide variety of tonal character dependent on your choice of amplifier (mic pre)! How to mix in analog OTB [OUT-The-Box] Customer question: I'd like to know if there is a way to drive the amplifier prior to get on the master out or should I achieve this by entering the summing unit with hotter levels? A. Mix in analog is different than DAW bounce, so Let's separate the mixing process to 2 parts: 1. First part: Passive network. You right: "should I achieve this by entering the summing unit with hotter levels" You need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right. It basically impossible to do that ITB [In-The-Box] because if u hit over 0dB, starts to distort during gain staging, simply the digital bounce not allow to send hot (high gain) Panorama Firstly need to find for all your instruments the right places in to the stereo field (separation), the right locations where they sit better in to the whole mix. Don't forget - your instruments are mixed in the analog domain: as sinusoidal voltages! Gain staging Gain staging is like pulling the focus of a camera lens, so the cardinal point is the individual gain sent from DAW interface outputs to summing network.(they will be mixed as sinusoidal voltage) so strictly need to find for all your instruments/tracks individually the "gentle distortion" point, where the subtle distortion starts gently and it's about right "warm". 2. Second part: Drive the amp - makeup gain Make up gain "crank it up" - make up gain by your MicPre/DAW Instrument amp or internal summing amp, and hit the sweet spot of master mix, then print/record. It's important to find the sweet-spot when the level and subtle distortion is just about right, depending on the song and production. ITB has no sweet-spot and there's really no reward running the levels a bit too hot, on the contrary is even makes the mix sound worse. There are no 0's and 1's but only voltages. These are complex sinusoidal voltages that include the harmonics and other elements. Many engineers consider this to add the "warm", "in-depth" and nice separation sound you get from analog. (Emerson R. Maningo) Technical features: Summing: Discrete Stereo Passive Summing network 16:2 line input Selected VISHAY DALE military metal-film resistors! In/Out:Balanced, floating to ground Input impedance: 2K ohms balanced Output impedance 600 ohms balanced Output level: -15 dB nominal(relative to 0dB) Frequency response: Khz Crosstalk 1Khz: -95dB In/Out: Balanced, floating to ground Signal/ Noise rate: -98dB (RME HDSP tested, no DAW inputs connected) Balanced input: 16 inputs L/R = 8 Stereo CH STEREO TO MONO SWITCH (CH1 stereo to 1-2 mono, CH2 stereo to 3-4 mono) Balanced output: 2 balanced L/R out (1,4"TRS) TRS connection wiring: (Tip:HOT/,Ring:COLD/Sleeve:GROUND) Power requirements: NO POWER REQ! - is PASSIVE! "Recommended for everyone who wants to try "mixing in analog domain" or expand the existing setup with an analog summing box!

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Desk top studio mixer, also perfect for smaller live gigs

Tapco mix 260FX mixer for DJing. Desk top mixer also suitable for smaller gigs. Great features. Affordable, small format mixers with extra busses for keeping your tracks isolated. Great sound. Retail on gear for music. Bargain at £ Ad ID: Delivery Service Consumer Credit

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Instagram Frame - Custom Made For Your Event

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We specialist make Web Database Application for your business (Custom made) match your requirements. Convert Microsoft Excel and Ms Access to Web Application. See DEMO at: www.excelformat.com

Connect with Bibble studio to get Online Success for your

Want to get success for your business online? Connect with Bibble studio, we are the best web designing professionals in Hampshire. In today's date everyone is dependent on technology, so give your website our expert's professional touch. Feel free to place a call! Visit Us At! http://bibblestudio.co.uk/services/web-design-packages/

Want to kit out your fitness studio? Many machines for sale.

Variety of sports equipment no longer needed - running machine, exercise trainers and unused new road bike. Daughter moved and no room to store sports machinery. All in excellent condition at great prices Read More

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Fab Custom SIR RINGO STARR DRUM for your Remco Beatles doll

Fabulous Custom SIR RINGO STARR DRUM for your Remco Beatles doll Please Note just the drum NOT THE DOLL Read more

Get More Leads For Your Business With A Custom Made Video in

Having a personalised video to promote your business will get you more leads and increase your profile. You can have your own YouTube channel and share the video via Facebook for greater exposure. Your video will feature your business name, contact details and Website. If you need a Facebook page or a Website, I can help with this also. Contact me today to get more details and start to get more customers right away.

Smart pack "control your heating and appliances from your

Hello this is smart pack for your home, you control everything with your smart phone ie, see what electricity you are consuming and energy usage, also you control the room temperature via your phone from anywhere where you have an internet connection, also you can switch things on and off that are connected to your smart plugs. Whats included, Internet Gateway, Smart Thermostat, 2 Smart Plugs, Power converter box, you can download the the app for your phone and all instructions on how to use Free. You will need an electrician to install this pack.

Philips watch over your home from your iPhone

Philips watch over your home to your iPhone New philips wireless home monitor camera His price in philips shops is Ad ID: Delivery Service Consumer Credit

Get Your Car Scrapped To Enjoy Substantial Profit From Your

If you feel that your old car parked at your garage is useless item accommodating huge space of your home, then you are at an edge of doing mistake. Now get your car scraped by renowned car scrapper The Scrappers who offers you service of Scrap my car at your convenience in Chester, U.K. The group has its expert scrapers located across the United Kingdom offering you true value of your scrapped car. To get your car evaluated by these experts just give them a call and they will reach at your door step to evaluate your car. So now what you are waiting for, if you also wish to get rid of your old car call on or logon to http://www.thescrappers.co.uk/scrap-car-chester/ for getting your car scrapped by the expert scrappers.

Drawings of your horse from your photos

Drawings at any size for cheap prices. Drawn from your photos they make a great present or just something nice to have:) Read More

Studio mixer

Mixer ideal for studio's or djing in good working order can be seen working. Its got a few scratch on it but lovely sound quality. No time wasters please. Ad ID: Delivery Service Consumer Credit

Studio mixer

Phonic mixer in good working order can see working lovely sound quality. No time wasters please. Ad ID: Delivery Service Consumer Credit

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